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		<title>Mysore, India, Sleeping Man</title>
		<link>http://www.brash.us/site/archives/178</link>
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		<pubDate>Mon, 07 Jun 2010 23:41:50 +0000</pubDate>
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		<description><![CDATA[The Bhagavad-Gita. The Harvard Classics.  1909–14.   Chapter XIV     KRISHNA: YET father will I open unto thee This wisdom of all wisdoms, uttermost, The which possessing, all My saints have passed To perfectness. On these high verities Reliant, rising into fellowship         5 With Me, they are not born again at birth Of Kalpas, nor ...]]></description>
			<content:encoded><![CDATA[<table border="0" cellspacing="2" cellpadding="0" width="601" align="center" bgcolor="#ffffff">
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<td align="center">The Bhagavad-Gita.<br />
The Harvard Classics.  <span>1909–14.</span></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td align="center"><span style="color: #9c9c63; font-size: xx-small;"><strong>Chapter XIV</strong></span></td>
</tr>
<tr>
<td> </td>
</tr>
<p><!-- END CHAPTERTITLE --></tbody>
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<table border="0" cellspacing="0" cellpadding="3" width="601" align="center" bgcolor="#ffffff">
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<td>
<table cellspacing="0" cellpadding="0" align="center"><!-- BEGIN CHAPTER --></p>
<tbody>
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<td> </td>
</tr>
<tr>
<td>
<div>K<span>RISHNA:</span></div>
<p>Y<span>ET</span> father will I open unto thee</td>
<td><a name="1"></a></td>
</tr>
<tr>
<td>This wisdom of all wisdoms, uttermost,</td>
<td><a name="2"></a></td>
</tr>
<tr>
<td>The which possessing, all My saints have passed</td>
<td><a name="3"></a></td>
</tr>
<tr>
<td>To perfectness. On these high verities</td>
<td><a name="4"></a></td>
</tr>
<tr>
<td>Reliant, rising into fellowship</td>
<td align="right" valign="top"><span><a name="5"><em>        5</em></a></span></td>
</tr>
<tr>
<td>With Me, they are not born again at birth</td>
<td><a name="6"></a></td>
</tr>
<tr>
<td>Of <em>Kalpas,</em> nor at <em>Pralyas</em> suffer change!</td>
<td><a name="7"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>  This Universe the Womb is where I plant</td>
<td><a name="8"></a></td>
</tr>
<tr>
<td>Seed of all lives! Thence, Prince of India comes</td>
<td><a name="9"></a></td>
</tr>
<tr>
<td>Birth to all beings! Whoso, Kunti’s Son!</td>
<td align="right" valign="top"><span><a name="10"><em>        10</em></a></span></td>
</tr>
<tr>
<td>Mothers each mortal form, Brahma conceives,</td>
<td><a name="11"></a></td>
</tr>
<tr>
<td>And I am He that fathers, sending seed!</td>
<td><a name="12"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>  <em>Sattwan, Rajas,</em> and <em>Tamas,</em> so are named,</td>
<td><a name="13"></a></td>
</tr>
<tr>
<td>The qualities of Nature, “Soothfastness,”</td>
<td><a name="14"></a></td>
</tr>
<tr>
<td>“Passion,” and “Ignorance.” These three bind down</td>
<td align="right" valign="top"><span><a name="15"><em>        15</em></a></span></td>
</tr>
<tr>
<td>The changeless Spirit in the changeful flesh.</td>
<td><a name="16"></a></td>
</tr>
<tr>
<td>Whereof sweet “Soothfastness”—by purity</td>
<td><a name="17"></a></td>
</tr>
<tr>
<td>Living unsullied and enlightened—binds</td>
<td><a name="18"></a></td>
</tr>
<tr>
<td>The sinless Soul to happiness and truth;</td>
<td><a name="19"></a></td>
</tr>
<tr>
<td>And Passion, being kin to appetite,</td>
<td align="right" valign="top"><span><a name="20"><em>        20</em></a></span></td>
</tr>
<tr>
<td>And breeding impulse and propensity,</td>
<td><a name="21"></a></td>
</tr>
<tr>
<td>Binds the embodied Soul, O Kunti’s Son!</td>
<td><a name="22"></a></td>
</tr>
<tr>
<td>By tie of works. But Ignorance, the child</td>
<td><a name="23"></a></td>
</tr>
<tr>
<td>Of Darkness, blinding mortal men, binds down</td>
<td><a name="24"></a></td>
</tr>
<tr>
<td>Their souls to stupor, sloth, and drowsiness.</td>
<td align="right" valign="top"><span><a name="25"><em>        25</em></a></span></td>
</tr>
<tr>
<td>Yea, Prince of India! Soothfastness binds souls</td>
<td><a name="26"></a></td>
</tr>
<tr>
<td>In pleasant wise to flesh; and Passion binds</td>
<td><a name="27"></a></td>
</tr>
<tr>
<td>By toilsome strain; but Ignorance, which blots</td>
<td><a name="28"></a></td>
</tr>
<tr>
<td>The beams of wisdom, binds the soul to sloth</td>
<td><a name="29"></a></td>
</tr>
<tr>
<td>Passion and Ignorance, once overcome,</td>
<td align="right" valign="top"><span><a name="30"><em>        30</em></a></span></td>
</tr>
<tr>
<td>Leave Soothfastness, O Bharata! Where this</td>
<td><a name="31"></a></td>
</tr>
<tr>
<td>With Ignorance are absent, Passion rules;</td>
<td><a name="32"></a></td>
</tr>
<tr>
<td>And Ignorance in hearts not good nor quick.</td>
<td><a name="33"></a></td>
</tr>
<tr>
<td>When at all gateways of the Body shines</td>
<td><a name="34"></a></td>
</tr>
<tr>
<td>The Lamp of Knowledge, then may one see well</td>
<td align="right" valign="top"><span><a name="35"><em>        35</em></a></span></td>
</tr>
<tr>
<td>Soothfastness settled in that city reigns;</td>
<td><a name="36"></a></td>
</tr>
<tr>
<td>Where longing is, and ardor, and unrest,</td>
<td><a name="37"></a></td>
</tr>
<tr>
<td>Impulse to strive and gain, and avarice,</td>
<td><a name="38"></a></td>
</tr>
<tr>
<td>Those spring from Passion—Prince!—engrained; and where</td>
<td><a name="39"></a></td>
</tr>
<tr>
<td>Darkness and dulness, sloth and stupor are,</td>
<td align="right" valign="top"><span><a name="40"><em>        40</em></a></span></td>
</tr>
<tr>
<td>’Tis Ignorance hath caused them, Kuru Chief!</td>
<td><a name="41"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>  Moreover, when a soul departeth, fixed</td>
<td><a name="42"></a></td>
</tr>
<tr>
<td>In Soothfastness, it goeth to the place—</td>
<td><a name="43"></a></td>
</tr>
<tr>
<td>Perfect and pure—of those that know all Truth</td>
<td><a name="44"></a></td>
</tr>
<tr>
<td>If it departeth in set hebetude</td>
<td align="right" valign="top"><span><a name="45"><em>        45</em></a></span></td>
</tr>
<tr>
<td>Of impulse, it shall go into the world</td>
<td><a name="46"></a></td>
</tr>
<tr>
<td>Of spirits tied to works; and, if it dies</td>
<td><a name="47"></a></td>
</tr>
<tr>
<td>In hardened Ignorance, that blinded soul</td>
<td><a name="48"></a></td>
</tr>
<tr>
<td>Is born anew in some unlighted womb.</td>
<td><a name="49"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>  The fruit of Soothfastness is true and sweet;</td>
<td align="right" valign="top"><span><a name="50"><em>        50</em></a></span></td>
</tr>
<tr>
<td>The fruit of lusts is pain and toil; the fruit</td>
<td><a name="51"></a></td>
</tr>
<tr>
<td>Of Ignorance is deeper darkness. Yea!</td>
<td><a name="52"></a></td>
</tr>
<tr>
<td>For Light brings light, and Passion ache to have.</td>
<td><a name="53"></a></td>
</tr>
<tr>
<td>Blindness, bewilderments, and ignorance</td>
<td><a name="54"></a></td>
</tr>
<tr>
<td>Grow forth from Ignorance. Those of the first</td>
<td align="right" valign="top"><span><a name="55"><em>        55</em></a></span></td>
</tr>
<tr>
<td>Rise ever higher; those of the second mode</td>
<td><a name="56"></a></td>
</tr>
<tr>
<td>Take a mid place; the darkened souls sink back</td>
<td><a name="57"></a></td>
</tr>
<tr>
<td>To lower deeps, loaded with witlessness!</td>
<td><a name="58"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>  When, watching life, the living man perceives</td>
<td><a name="59"></a></td>
</tr>
<tr>
<td>The only actors are the Qualities,</td>
<td align="right" valign="top"><span><a name="60"><em>        60</em></a></span></td>
</tr>
<tr>
<td>And knows what lives beyond the Qualities,</td>
<td><a name="61"></a></td>
</tr>
<tr>
<td>Then is he come nigh unto Me!</td>
<td><a name="62"></a></td>
</tr>
<tr>
<td>        The Soul,</td>
<td><a name="63"></a></td>
</tr>
<tr>
<td>Thus passing forth from the Three Qualities—</td>
<td><a name="64"></a></td>
</tr>
<tr>
<td>Whereof arise all bodies—overcomes</td>
<td align="right" valign="top"><span><a name="65"><em>        65</em></a></span></td>
</tr>
<tr>
<td>Birth, Death, Sorrow, and Age; and drinketh deep</td>
<td><a name="66"></a></td>
</tr>
<tr>
<td>The undying wine of Amrit.</td>
<td><a name="67"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>
<div>A<span>RJUNA:</span></div>
<p>        Oh, my Lord!</td>
<td><a name="68"></a></td>
</tr>
<tr>
<td>Which be the signs to know him that hath gone</td>
<td><a name="69"></a></td>
</tr>
<tr>
<td>Past the Three Modes? How liveth he? What way</td>
<td align="right" valign="top"><span><a name="70"><em>        70</em></a></span></td>
</tr>
<tr>
<td>Leadeth him safe beyond the threefold modes?</td>
<td><a name="71"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>
<div>K<span>RISHNA:</span></div>
<p>He who with equanimity surveys</td>
<td><a name="72"></a></td>
</tr>
<tr>
<td>Lustre of goodness, strife of passion, sloth</td>
<td><a name="73"></a></td>
</tr>
<tr>
<td>Of ignorance, not angry if they are,</td>
<td><a name="74"></a></td>
</tr>
<tr>
<td>Not angry when they are not: he who sits</td>
<td align="right" valign="top"><span><a name="75"><em>        75</em></a></span></td>
</tr>
<tr>
<td>A sojourner and stranger in their midst</td>
<td><a name="76"></a></td>
</tr>
<tr>
<td>Unruffled, standing off, saying—serene—</td>
<td><a name="77"></a></td>
</tr>
<tr>
<td>When troubles break, “These are the Qualities!”</td>
<td><a name="78"></a></td>
</tr>
<tr>
<td>He unto whom—self-centred—grief and joy</td>
<td><a name="79"></a></td>
</tr>
<tr>
<td>Sound as one word; to whose deep-seeing eyes</td>
<td align="right" valign="top"><span><a name="80"><em>        80</em></a></span></td>
</tr>
<tr>
<td>The clod, the marble, and the gold are one;</td>
<td><a name="81"></a></td>
</tr>
<tr>
<td>Whose equal heart holds the same gentleness</td>
<td><a name="82"></a></td>
</tr>
<tr>
<td>For lovely and unlovely things, firm-set,</td>
<td><a name="83"></a></td>
</tr>
<tr>
<td>Well-pleased in praise and dispraise; satisfied</td>
<td><a name="84"></a></td>
</tr>
<tr>
<td>With honor or dishonor; unto friends</td>
<td align="right" valign="top"><span><a name="85"><em>        85</em></a></span></td>
</tr>
<tr>
<td>And unto foes alike in tolerance,</td>
<td><a name="86"></a></td>
</tr>
<tr>
<td>Detached from undertakings,—he is named</td>
<td><a name="87"></a></td>
</tr>
<tr>
<td>Surmounter of the Qualities!</td>
<td><a name="88"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>        And such—</td>
<td><a name="89"></a></td>
</tr>
<tr>
<td>With single, fervent faith adoring Me,</td>
<td align="right" valign="top"><span><a name="90"><em>        90</em></a></span></td>
</tr>
<tr>
<td>Passing beyond the Qualities, conforms</td>
<td><a name="91"></a></td>
</tr>
<tr>
<td>To Brahma, and attains Me!</td>
<td><a name="92"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>        For I am</td>
<td><a name="93"></a></td>
</tr>
<tr>
<td>That whereof Brahma is the likeness! Mine</td>
<td><a name="94"></a></td>
</tr>
<tr>
<td>The Amrit is; and Immortality</td>
<td align="right" valign="top"><span><a name="95"><em>        95</em></a></span></td>
</tr>
<tr>
<td>Is mine; and mine perfect Felicity!</td>
<td><a name="96"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>
<div><em>Here ends Chapter XIV. of the Bhagavad-Gîtâ,</em></div>
</td>
<td><a name="97"></a></td>
</tr>
<tr>
<td>
<div><em>entitled “Gunatrayavibhâgayôgô,” or “The</em></div>
</td>
<td><a name="98"></a></td>
</tr>
<tr>
<td>
<div><em>Book of Religion by Separation</em></div>
</td>
<td><a name="99"></a></td>
</tr>
<tr>
<td>
<div><em>from the Qualities”</em></div>
</td>
<td align="right" valign="top"><span><a name="100"><em>        100</em></a></span></td>
</tr>
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</table>
</td>
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</tbody>
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		<item>
		<title>Singapore, Raffles Hotel Entrance</title>
		<link>http://www.brash.us/site/archives/175</link>
		<comments>http://www.brash.us/site/archives/175#comments</comments>
		<pubDate>Mon, 07 Jun 2010 23:28:16 +0000</pubDate>
		<dc:creator>Corvis777</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.brash.us/site/?p=175</guid>
		<description><![CDATA[Essays: English and American. The Harvard Classics.  1909–14.   Walking [1862]   Henry David Thoreau     I WISH to speak a word for Nature, for absolute freedom and wildness, as contrasted with a freedom and culture merely civil,—to regard man as an inhabitant, or a part and parcel of Nature, rather than a member of ...]]></description>
			<content:encoded><![CDATA[<table border="0" cellspacing="2" cellpadding="0" width="601" align="center" bgcolor="#ffffff">
<tbody>
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<td align="center">Essays: English and American.<br />
The Harvard Classics.  <span>1909–14.</span></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td align="center"><span style="color: #9c9c63; font-size: xx-small;"><strong>Walking [1862]</strong></span></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td align="center"><span style="color: #9c9c63; font-size: xx-small;"><strong>Henry David Thoreau</strong></span></td>
</tr>
<tr>
<td> </td>
</tr>
<p><!-- END CHAPTERTITLE --></tbody>
</table>
<table border="0" cellspacing="0" cellpadding="3" width="601" align="center" bgcolor="#ffffff"><!-- BEGIN CHAPTER --></p>
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<td> </td>
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<tr>
<td>I <span>WISH</span> to speak a word for Nature, for absolute freedom and wildness, as contrasted with a freedom and culture merely civil,—to regard man as an inhabitant, or a part and parcel of Nature, rather than a member of society. I wish to make an extreme statement, if so I may make an emphatic one, for there are enough champions of civilization: the minister and the school committee and every one of you will take care of that.</td>
<td align="right" valign="top"><span><a name="1"><em>  1</em></a></span></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>  I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks,—who had a genius, so to speak, for <em>sauntering:</em> which word is beautifully derived from “idle people who roved about the country, in the Middle Ages, and asked charity, under pretence of going <em>à la Sainte Terre,”</em> to the Holy Land, till the children exclaimed, “There goes a <em>Sainte-Terrer,”</em> a Saunterer, a Holy-Lander. They who never go to the Holy Land in their walks, as they pretend, are indeed mere idlers and vagabonds; but they who do go there are saunterers in the good sense, such as I mean. Some, however, would derive the word form <em>sans terre,</em> without land or a home, which, therefore, in the good sense, will mean, having no particular home, but equally at home everywhere. For this is the secret of successful sauntering. He who sits still in a house all the time may be the greatest vagrant of all; but the saunterer, in the good sense, is no more vagrant than the meandering river, which is all the while sedulously seeking the shortest course to the sea. But I prefer the first, which, indeed, is the most probable derivation. For every walk is a sort of crusade, preached by some Peter the Hermit in us, to go forth and reconquer this Holy Land from the hands of the Infidels.</td>
<td align="right" valign="top"><span><a name="2"><em>  2</em></a></span></td>
</tr>
<tr>
<td>  It is true, we are but faint-hearted crusaders, even the walkers, nowadays, who undertake no persevering, never-ending enterprises. Our expeditions are but tours, and come round again at evening to the old hearth-side from which we set out. Half the walk is but retracing our steps. We should go forth on the shortest walk, perchance, in the spirit of undying adventure, never to return—prepared to send back our embalmed hearts only as relics to our desolate kingdoms. If you are ready to leave father and mother, and brother and sister, and wife and child and friends, and never see them again—if you have paid your debts, and made your will, and settled all your affairs, and are a free man, then you are ready for a walk.</td>
<td align="right" valign="top"><span><a name="3"><em>  3</em></a></span></td>
</tr>
<tr>
<td>  To come down to my own experience, my companion and I, for I sometimes have a companion, take pleasure in fancying ourselves knights of a new, or rather an old, order—not Equestrians or Chevaliers, not Ritters or riders, but Walkers, a still more ancient and honourable class, I trust. The chivalric and heroic spirit which once belonged to the Rider seems now to reside in, or perchance to have subsided into, the Walker,—not the Knight, but Walker, Errant. He is a sort of fourth estate, outside of Church and State and People.</td>
<td align="right" valign="top"><span><a name="4"><em>  4</em></a></span></td>
</tr>
<tr>
<td>  We have felt that we almost alone hereabouts practised this noble art; though, to tell the truth, at least, if their own assertions are to be received, most of my townsmen would fain walk sometimes, as I do, but they cannot. No wealth can buy the requisite leisure, freedom, and independence which are the capital in this profession. It comes only by the grace of God. It requires a direct dispensation from Heaven to become a walker. You must be born into the family of the Walkers. <em>Ambulator nascitur, non fit.</em> Some of my townsmen, it is true, can remember and have described to me some walks which they took ten years ago, in which they were so blessed as to lose themselves for half an hour in the woods; but I know very well that they have confined themselves to the highway ever since, whatever pretensions they may make to belong to this select class. No doubt they were elevated for a moment as by the reminiscence of a previous state of existence, when even they were foresters and outlaws.</p>
<table cellspacing="1" cellpadding="1">
<tbody>
<tr>
<td>        </td>
<td>“When he came to grene wode,</td>
</tr>
<tr>
<td> </td>
<td>  In a mery mornynge,</td>
</tr>
<tr>
<td> </td>
<td>There he herde the notes small</td>
</tr>
<tr>
<td> </td>
<td>  Of byrdes mery syngynge.</td>
</tr>
<tr>
<td> </td>
<td> </td>
</tr>
<tr>
<td> </td>
<td>“It is ferre gone, sayd Robyn,</td>
</tr>
<tr>
<td> </td>
<td>  That I was last here;</td>
</tr>
<tr>
<td> </td>
<td>Me lyste a lytell for to shote</td>
</tr>
<tr>
<td> </td>
<td>  At the donne dere.”</td>
</tr>
</tbody>
</table>
</td>
<td align="right" valign="top"><span><a name="5"><em>  5</em></a></span></td>
</tr>
<tr>
<td>  I think that I cannot preserve my health and spirits, unless I spend four hours a day at least,—and it is commonly more than that,—sauntering through the woods and over the hills and fields, absolutely free from all worldly engagements. You may safely say, A penny for your thoughts, or a thousand pounds. When sometimes I am reminded that the mechanics and shopkeepers stay in their shops not only all the forenoon, but all the afternoon too, sitting with crossed legs, so many of them—as if the legs were made to sit upon, and not to stand or walk upon—I think that they deserve some credit for not having all committed suicide long ago.</td>
<td align="right" valign="top"><span><a name="6"><em>  6</em></a></span></td>
</tr>
<tr>
<td>  I, who cannot stay in my chamber for a single day without acquiring some rust, and when sometimes I have stolen forth for a walk at the eleventh hour or four o’clock in the afternoon, too late to redeem the day, when the shades of night were already beginning to be mingled with the daylight, have felt as if I had committed some sin to be atoned for,—I confess that I am astonished at the power of endurance, to say nothing of the moral insensibility, of my neighbours who confine themselves to shops and offices the whole day for weeks and months, ay, and years almost together. I know not what manner of stuff they are of—sitting there now at three o’clock in the afternoon, as if it were three o’clock in the morning. Bonaparte may talk of the three-o’clock-in-the-morning courage, but it is nothing to the courage which can sit down cheerfully at this hour in the afternoon over against one’s self whom you have known all the morning, to starve out a garrison to whom you are bound by such strong ties of sympathy. I wonder that about this time, or say between four and five o’clock in the afternoon, too late for the morning papers and too early for the evening ones, there is not a general explosion heard up and down the street, scattering a legion of antiquated and housebred notions and whims to the four winds for an airing—and so the evil cure itself.</td>
<td align="right" valign="top"><span><a name="7"><em>  7</em></a></span></td>
</tr>
<tr>
<td>  How womankind, who are confined to the house still more than men, stand it I do not know; but I have ground to suspect that most of them do not <em>stand</em> it at all. When, early in a summer afternoon, we have been shaking the dust of the village from the skirts of our garments, making haste past those houses with purely Doric or Gothic fronts, which have such an air of repose about them, my companion whispers that probably about these times their occupants are all gone to bed. Then it is that I appreciate the beauty and the glory of architecture, which itself never turns in, but forever stands out and erect, keeping watch over the slumberers.</td>
<td align="right" valign="top"><span><a name="8"><em>  8</em></a></span></td>
</tr>
<tr>
<td>  No doubt temperament, and, above all, age, have a good deal to do with it. As a man grows older, his ability to sit still and follow indoor occupations increases. He grows vespertinal in his habits as the evening of life approaches, till at last he comes forth only just before sundown, and gets all the walk that he requires in half an hour.</td>
<td align="right" valign="top"><span><a name="9"><em>  9</em></a></span></td>
</tr>
<tr>
<td>  But the walking of which I speak has nothing in it akin to taking exercise, as it is called, as the sick take medicine at stated hours—as the swinging of dumb-bells or chairs; but is itself the enterprise and adventure of the day. If you would get exercise, go in search of the springs of life. Think of a man’s swinging dumb-bells for his health, when those springs are bubbling up in far-off pastures unsought by him!</td>
<td align="right" valign="top"><span><a name="10"><em>  10</em></a></span></td>
</tr>
<tr>
<td>  Moreover, you must walk like a camel, which is said to be the only beast which ruminates when walking. When a traveller asked Wordsworth’s servant to show him her master’s study, she answered, “Here is his library, but his study is out of doors.”</td>
<td align="right" valign="top"><span><a name="11"><em>  11</em></a></span></td>
</tr>
<tr>
<td>  Living much out of doors, in the sun and wind, will no doubt produce a certain roughness of character—will cause a thicker cuticle to grow over some of the finer qualities of our nature, as on the face and hands, or as severe manual labor robs the hands of some of their delicacy of touch. So staying in the house, on the other hand, may produce a softness and smoothness, not to say thinness of skin, accompanied by an increased sensibility to certain impressions. Perhaps we should be more susceptible to some influences important to our intellectual and moral growth, if the sun had shone and the wind blown on us a little less; and no doubt it is a nice matter to proportion rightly the thick and thin skin. But methinks that is a scurf that will fall off fast enough—that the natural remedy is to be found in the proportion which the night bears to the day, the winter to the summer, thought to experience. There will be so much the more air and sunshine in our thoughts. The callous palms of the laborer are conversant with finer tissues of self-respect and heroism, whose touch thrills the heart, than the languid fingers of idleness. That is mere sentimentality that lies abed by day and thinks itself white, far from the tan and callus of experience.</td>
<td align="right" valign="top"><span><a name="12"><em>  12</em></a></span></td>
</tr>
<tr>
<td>  When we walk, we naturally go to the fields and woods: what would become of us if we walked only in a garden or a mall? Even some sects of philosophers have felt the necessity of importing the woods to themselves, since they did not go to the woods. “They planted groves and walks of Platanes,” where they took <em>subdiales ambulationes</em> in porticos open to the air. Of course it is of no use to direct our steps to the woods, if they do not carry us thither. I am alarmed when it happens that I have walked a mile into the woods bodily, without getting there in spirit. In my afternoon walk I would fain forget all my morning occupations and my obligations to society. But it sometimes happens that I cannot easily shake off the village. The thought of some work will run in my head and I am not where my body is—I am out of my senses. In my walks I would fain return to my senses. What business have I in the woods, if I am thinking of something out of the woods? I suspect myself, and cannot help a shudder, when I find myself so implicated even in what are called good works—for this may sometimes happen.</td>
<td align="right" valign="top"><span><a name="13"><em>  13</em></a></span></td>
</tr>
<tr>
<td>  My vicinity affords many good walks; and though for so many years I have walked almost every day, and sometimes for several days together, I have not yet exhausted them. An absolutely new prospect is a great happiness, and I can still get this any afternoon. Two or three hours’ walking will carry me to as strange a country as I expect ever to see. A single farmhouse which I had not seen before is sometimes as good as the dominions of the King of Dahomey. There is in fact a sort of harmony discoverable between the capabilities of the landscape within a circle of ten miles’ radius, or the limits of an afternoon walk, and the threescore years and ten of human life. It will never become quite familiar to you.</td>
<td align="right" valign="top"><span><a name="14"><em>  14</em></a></span></td>
</tr>
<tr>
<td>  Nowadays almost all man’s improvements, so called, as the building of houses, and the cutting down of the forest and of all large trees, simply deform the landscape, and make it more and more tame and cheap. A people who would begin by burning the fences and let the forest stand! I saw the fences half consumed, their ends lost in the middle of the prairie, and some worldly miser with a surveyor looking after his bounds, while heaven had taken place around him, and he did not see the angels going to and fro, but was looking for an old post-hole in the midst of paradise. I looked again, and saw him standing in the middle of a boggy stygian fen, surrounded by devils, and he had found his bounds without a doubt, three little stones, where a stake had been driven, and looking nearer, I saw that the Prince of Darkness was his surveyor.</td>
<td align="right" valign="top"><span><a name="15"><em>  15</em></a></span></td>
</tr>
<tr>
<td>  I can easily walk ten, fifteen, twenty, any number of miles, commencing at my own door, without going by any house, without crossing a road except where the fox and the mink do: first along by the river, and then the brook, and then the meadow and the wood-side. There are square miles in my vicinity which have no inhabitant. From many a hill I can see civilisation and the abodes of man afar. The farmers and their works are scarcely more obvious than woodchucks and their burrows. Man and his affairs, church and state and school, trade and commerce, and manufactures and agriculture, even politics, the most alarming of them all,—I am pleased to see how little space they occupy in the landscape. Politics is but a narrow field, and that still narrower highway yonder leads to it. I sometimes direct the traveller thither. If you would go to the political world, follow the great road—follow that market—man, keep his dust in your eyes, and it will lead you straight to it; for it, too, has its place merely, and does not occupy all space. I pass from it as from a bean-field into the forest, and it is forgotten. In one half-hour I can walk off to some portion of the earth’s surface where a man does not stand from one year’s end to another, and there, consequently, politics are not, for they are but as the cigar-smoke of a man.</td>
<td align="right" valign="top"><span><a name="16"><em>  16</em></a></span></td>
</tr>
<tr>
<td>  The village is the place to which the roads tend, a sort of expansion of the highway, as a lake of a river. It is the body of which roads are the arms and legs—a trivial or quadrivial place, the thoroughfare and ordinary of travellers. The word is from the Latin <em>villa,</em> which together with via, a way, or more anciently <em>ved</em> and <em>vella,</em> Varro derives from <em>veho,</em> to carry, because the villa is the place to and from which things are carried. They who got their living by teaming were said <em>vellaturam facere.</em> Hence, too, apparently, the Latin word <em>vilis</em> and our vile; also <em>villain.</em> This suggests what kind of degeneracy villagers are liable to. They are wayworn by the travel that goes by and over them, without travelling themselves.</td>
<td align="right" valign="top"><span><a name="17"><em>  17</em></a></span></td>
</tr>
<tr>
<td>  Some do not walk at all; others walk in the highways; a few walk across lots. Roads are made for horses and men of business. I do not travel in them much, comparatively, because I am not in a hurry to get to any tavern or grocery or livery-stable or depot to which they lead. I am a good horse to travel, but not from choice a roadster. The landscape-painter uses the figures of men to mark a road. He would not make that use of my figure. I walk out into a Nature such as the old prophets and poets, Menu, Moses, Homer, Chaucer, walked in. You may name it America, but it is not America: neither Americus Vespucius, nor Columbus, nor the rest were the discoverers of it. There is a truer account of it in mythology than in any history of America, so called, that I have seen.</td>
<td align="right" valign="top"><span><a name="18"><em>  18</em></a></span></td>
</tr>
<tr>
<td>  However, there are a few old roads that may be trodden with profit, as if they led somewhere now that they are nearly discontinued. There is the Old Marlborough Road, which does not go to Marlborough now, methinks, unless that is Marlborough where it carries me. I am the bolder to speak of it here, because I presume that there are one or two such roads in every town.</p>
<table cellspacing="1" cellpadding="1">
<tbody>
<tr>
<td>        </td>
<td>
<div><span>THE OLD MARLBOROUGH ROAD</span></div>
</td>
</tr>
<tr>
<td> </td>
<td> </td>
</tr>
<tr>
<td> </td>
<td>    Where they once dug for money,</td>
</tr>
<tr>
<td> </td>
<td>    Where sometimes Martial Miles</td>
</tr>
<tr>
<td> </td>
<td>    But never found any;</td>
</tr>
<tr>
<td> </td>
<td>    Singly files,</td>
</tr>
<tr>
<td> </td>
<td>    And Elijah Wood,</td>
</tr>
<tr>
<td> </td>
<td>    I fear for no good:</td>
</tr>
<tr>
<td> </td>
<td>    No other man,</td>
</tr>
<tr>
<td> </td>
<td>    Save Elisha Dugan,—</td>
</tr>
<tr>
<td> </td>
<td>    O man of wild habits,</td>
</tr>
<tr>
<td> </td>
<td>    Partridges and rabbits,</td>
</tr>
<tr>
<td> </td>
<td>    Who hast no cares</td>
</tr>
<tr>
<td> </td>
<td>    Only to set snares,</td>
</tr>
<tr>
<td> </td>
<td>    Who liv’st all alone,</td>
</tr>
<tr>
<td> </td>
<td>    Close to the bone,</td>
</tr>
<tr>
<td> </td>
<td>    And where life is sweetest</td>
</tr>
<tr>
<td> </td>
<td>    Constantly eatest.</td>
</tr>
<tr>
<td> </td>
<td>When the spring stirs my blood</td>
</tr>
<tr>
<td> </td>
<td>  With the instinct to travel</td>
</tr>
<tr>
<td> </td>
<td>  I can get enough gravel</td>
</tr>
<tr>
<td> </td>
<td>On the Old Marlborough Road.</td>
</tr>
<tr>
<td> </td>
<td>    Nobody repairs it,</td>
</tr>
<tr>
<td> </td>
<td>    For nobody wears it;</td>
</tr>
<tr>
<td> </td>
<td>    It is a living way,</td>
</tr>
<tr>
<td> </td>
<td>    As the Christians say.</td>
</tr>
<tr>
<td> </td>
<td>Not many there be</td>
</tr>
<tr>
<td> </td>
<td>  Who enter therein,</td>
</tr>
<tr>
<td> </td>
<td>Only the guests of the</td>
</tr>
<tr>
<td> </td>
<td>  Irishman Quin.</td>
</tr>
<tr>
<td> </td>
<td>What is it, what is it,</td>
</tr>
<tr>
<td> </td>
<td>  But a direction out there,</td>
</tr>
<tr>
<td> </td>
<td>And the bare possibility</td>
</tr>
<tr>
<td> </td>
<td>    Of going somewhere?</td>
</tr>
<tr>
<td> </td>
<td>    Great guide-boards of stone.</td>
</tr>
<tr>
<td> </td>
<td>    But travellers none;</td>
</tr>
<tr>
<td> </td>
<td>    Cenotaphs of the towns</td>
</tr>
<tr>
<td> </td>
<td>    Named on their crowns.</td>
</tr>
<tr>
<td> </td>
<td>    It is worth going to see</td>
</tr>
<tr>
<td> </td>
<td>    Where you <em>might</em> be.</td>
</tr>
<tr>
<td> </td>
<td>    What king</td>
</tr>
<tr>
<td> </td>
<td>    Did the thing,</td>
</tr>
<tr>
<td> </td>
<td>    I am still wondering;</td>
</tr>
<tr>
<td> </td>
<td>    Set up how or when,</td>
</tr>
<tr>
<td> </td>
<td>    By what selectmen,</td>
</tr>
<tr>
<td> </td>
<td>    Gourgas or Lee,</td>
</tr>
<tr>
<td> </td>
<td>    Clark or Darby?</td>
</tr>
<tr>
<td> </td>
<td>    They’re a great endeavor</td>
</tr>
<tr>
<td> </td>
<td>    To be something forever;</td>
</tr>
<tr>
<td> </td>
<td>    Blank tablets of stone,</td>
</tr>
<tr>
<td> </td>
<td>    Where a traveller might groan,</td>
</tr>
<tr>
<td> </td>
<td>    And in one sentence</td>
</tr>
<tr>
<td> </td>
<td>    Grave all that is known;</td>
</tr>
<tr>
<td> </td>
<td>    Which another might read,</td>
</tr>
<tr>
<td> </td>
<td>    In his extreme need.</td>
</tr>
<tr>
<td> </td>
<td>    I know one or two.</td>
</tr>
<tr>
<td> </td>
<td>    Lines that would do,</td>
</tr>
<tr>
<td> </td>
<td>    Literature that might stand</td>
</tr>
<tr>
<td> </td>
<td>    All over the land,</td>
</tr>
<tr>
<td> </td>
<td>    Which a man could remember</td>
</tr>
<tr>
<td> </td>
<td>    Till next December,</td>
</tr>
<tr>
<td> </td>
<td>    And read again in the Spring,</td>
</tr>
<tr>
<td> </td>
<td>    After the thawing.</td>
</tr>
<tr>
<td> </td>
<td>If with fancy unfurled</td>
</tr>
<tr>
<td> </td>
<td>  You leave your abode,</td>
</tr>
<tr>
<td> </td>
<td>You may go round the world</td>
</tr>
<tr>
<td> </td>
<td>  By the Old Marlborough Road.</td>
</tr>
</tbody>
</table>
</td>
<td align="right" valign="top"><span><a name="19"><em>  19</em></a></span></td>
</tr>
<tr>
<td>  At present, in this vicinity, the best part of the land is not private property; the landscape is not owned, and the walker enjoys comparative freedom. But possibly the day will come when it will be partitioned off into so-called pleasure-grounds, in which a few will take a narrow and exclusive pleasure only,—when fences shall be multiplied, and man-traps and other engines invented to confine men to the <em>public</em> road, and walking over the surface of God’s earth shall be construed to mean trespassing on some gentleman’s grounds. To enjoy a thing exclusively is commonly to exclude yourself from the true enjoyment of it. Let us improve our opportunities, then, before the evil days come.</td>
<td align="right" valign="top"><span><a name="20"><em>  20</em></a></span></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>  What is it that makes it so hard sometimes to determine whither we will walk? I believe that there is a subtle magnetism in Nature, which if we unconsciously yield to it, will direct us aright. It is not indifferent to us which way we walk. There is a right way; but we are very liable from heedlessness and stupidity to take the wrong one. We would fain take that walk, never yet taken by us through this actual world, which is perfectly symbolical of the path which we love to travel in the interior and ideal world; and sometimes, no doubt, we find it difficult to choose our direction, because it does not yet exist distinctly in our idea.</td>
<td align="right" valign="top"><span><a name="21"><em>  21</em></a></span></td>
</tr>
<tr>
<td>  When I go out of the house for a walk, uncertain as yet whither I will bend my steps, and submit myself to my instinct to decide for me, I find, strange and whimsical as it may seem, that I finally and inevitably settle southwest, toward some particular wood or meadow or deserted pasture or hill in that direction. My needle is slow to settle,—varies a few degrees, and does not always point due southwest, it is true, and it has good authority for this variation, but it always settles between west and south-southwest. The future lies that way to me, and the earth seems more unexhausted and richer on that side. The outline which would bound my walks would be, not a circle, but a parabola, or rather like one of those cometary orbits which have been thought to be non-returning curves, in this case opening westward, in which my house occupies the place of the sun. I turn round and round irresolute sometimes for a quarter of an hour, until I decide, for a thousandth time, that I will walk into the southwest or west. Eastward I go only by force; but westward I go free. Thither no business leads me. It is hard for me to believe that I shall find fair landscapes or sufficient wildness and freedom behind the eastern horizon. I am not excited by the prospect of a walk thither; but I believe that the forest which I see in the western horizon stretches uninterruptedly toward the setting sun, and there are no towns nor cities in it of enough consequence to disturb me. Let me live where I will, on this side is the city, on that the wilderness, and ever I am leaving the city more and more, and withdrawing into the wilderness. I should not lay so much stress on this fact, if I did not believe that something like this is the prevailing tendency of my countrymen. I must walk toward Oregon, and not toward Europe. And that way the nation is moving, and I may say that mankind progress from east to west. Within a few years we have witnessed the phenomenon of a south-eastward migration, in the settlement of Australia; but this affects us as a retrograde movement, and, judging from the moral and physical character of the first generation of Australians, has not yet proved a successful experiment. The eastern Tartars think that there is nothing west beyond Thibet. “The world ends there,” say they; “beyond there is nothing but a shoreless sea.” It is unmitigated East where they live.</td>
<td align="right" valign="top"><span><a name="22"><em>  22</em></a></span></td>
</tr>
<tr>
<td>  We go eastward to realise history and study the works of art and literature, retracing the steps of the race; we go westward as into the future, with a spirit of enterprise and adventure. The Atlantic is a Lethean stream, in our passage over which we have had an opportunity to forget the Old World and its institutions. If we do not succeed this time, there is perhaps one more chance for the race left before it arrives on the banks of the Styx; and that is in the Lethe of the Pacific, which is three times as wide.</td>
<td align="right" valign="top"><span><a name="23"><em>  23</em></a></span></td>
</tr>
<tr>
<td>  I know not how significant it is, or how far it is an evidence of singularity, that an individual should thus consent in his pettiest walk with the general movement of the race; but I know that something akin to the migratory instinct in birds and quadrupeds,—which, in some instances, is known to have affected the squirrel tribe, impelling them to a general and mysterious movement, in which they were seen, say some, crossing the broadest rivers, each on its particular chip, with its tail raised for a sail, and bridging narrower streams with their dead,—that something like the <em>furor</em> which affects the domestic cattle in the spring, and which is referred to a worm in their tails,—affects both nations and individuals, either perennially or from time to time. Not a flock of wild geese cackles over our town, but it to some extent unsettles the value of real estate here, and if I were a broker I should probably take that disturbance into account.</p>
<table cellspacing="1" cellpadding="1">
<tbody>
<tr>
<td>        </td>
<td>“Than longen folk to gon on pilgrimages,</td>
</tr>
<tr>
<td> </td>
<td>And palmeres for to seken strange strondes.”</td>
</tr>
</tbody>
</table>
</td>
<td align="right" valign="top"><span><a name="24"><em>  24</em></a></span></td>
</tr>
<tr>
<td>  Every sunset which I witness inspires me with the desire to go to a West as distant and as fair as that into which the sun goes down. He appears to migrate westward daily, and tempts us to follow him. He is the Great Western Pioneer whom the nations follow. We dream all night of those mountain-ridges in the horizon, though they may be of vapor only, which were last gilded by his rays. The island of Atlantis, and the islands and gardens of the Hesperides, a sort of terrestrial paradise, appear to have been the Great West of the ancients, enveloped in mystery and poetry. Who has not seen in imagination, when looking into the sunset sky, the gardens of the Hesperides, and the foundation of all those fables?</td>
<td align="right" valign="top"><span><a name="25"><em>  25</em></a></span></td>
</tr>
<tr>
<td>  Columbus felt the westward tendency more strongly than any before. He obeyed it, and found a New World for Castile and Leon. The herd of men in those days scented fresh pastures from afar.</p>
<table cellspacing="1" cellpadding="1">
<tbody>
<tr>
<td>        </td>
<td>“And now the sun had stretched out all the hills,</td>
</tr>
<tr>
<td> </td>
<td>And now was dropped into the western bay;</td>
</tr>
<tr>
<td> </td>
<td>At last <em>he</em> rose, and twitched his mantle blue;</td>
</tr>
<tr>
<td> </td>
<td>To-morrow to fresh woods and pastures new.”</td>
</tr>
</tbody>
</table>
</td>
<td align="right" valign="top"><span><a name="26"><em>  26</em></a></span></td>
</tr>
<tr>
<td>  Where on the globe can there be found an area of equal extent with that occupied by the bulk of our States, so fertile and so rich and varied in its productions, and at the same time so habitable by the European, as this is? Michaux, who knew but part of them, says that “the species of large trees are much more numerous in North America than in Europe; in the United States there are more than one hundred and forty species that exceed thirty feet in height; in France there are but thirty that attain this size.” Later botanists more than confirm his observations. Humboldt came to America to realize his youthful dreams of a tropical vegetation, and he beheld it in its greatest perfection in the primitive forests of the Amazon, the most gigantic wilderness on the earth, which he has so eloquently described. The geographer Guyot, himself a European, goes farther—farther than I am ready to follow him; yet not when he says: “As the plant is made for the animal, as the vegetable world is made for the animal world, America is made for the man of the Old World…. The man of the Old World sets out upon his way. Leaving the highlands of Asia, he descends from station to station towards Europe. Each of his steps is marked by a new civilization superior to the preceding, by a greater power of development. Arrived at the Atlantic, he pauses on the shore of this unknown ocean, the bounds of which he knows not, and turns upon his footprints for an instant.” When he has exhausted the rich soil of Europe, and reinvigorated himself, “then recommences his adventurous career westward as in the earliest ages.” So far Guyot.</td>
<td align="right" valign="top"><span><a name="27"><em>  27</em></a></span></td>
</tr>
<tr>
<td>  From this western impulse coming in contact with the barrier of the Atlantic sprang the commerce and enterprise of modern times. The younger Michaux, in his “Travels West of the Alleghanies in 1802,” says that the common inquiry in the newly settled West was, “From what part of the world have you come?” As if these vast and fertile regions would naturally be the place of meeting and common country of all the inhabitants of the globe.”</td>
<td align="right" valign="top"><span><a name="28"><em>  28</em></a></span></td>
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<td>  To use an obsolete Latin word, I might say, <em>Ex Oriente lux; ex Occidente</em> <span>FRUX.</span> From the East light; from the West fruit.</td>
<td align="right" valign="top"><span><a name="29"><em>  29</em></a></span></td>
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<td>  Sir Francis Head, an English traveller and a Governor-General of Canada, tells us that “in both the northern and southern hemispheres of the New World, Nature has not only outlined her works on a larger scale, but has painted the whole picture with brighter and more costly colors than she used in delineating and in beautifying the Old World…. The heavens of America appear infinitely higher, the sky is bluer, the air is fresher, the cold is intenser, the moon looks larger, the stars are brighter, the thunder is louder, the lightning is vivider, the wind is stronger, the rain is heavier, the mountains are higher, the rivers longer, the forests bigger, the plains broader.” This statement will do at least to set against Buffon’s account of this part of the world and its productions.</td>
<td align="right" valign="top"><span><a name="30"><em>  30</em></a></span></td>
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<td>  Linnæus said long ago, “Nescio quæ facies <em>læta, glabra</em> plantis Americanis: I know not what there is of joyous and smooth in the aspect of American plants;” and I think that in this country there are no, or at most very few, <em>Africanæ bestiæ,</em> African beasts, as the Romans called them, and that in this respect also it is peculiarly fitted for the habitation of man. We are told that within three miles of the centre of the East Indian city of Singapore, some of the inhabitants are annually carried off by tigers; but the traveller can lie down in the woods at night almost anywhere in North America without fear of wild beasts.</td>
<td align="right" valign="top"><span><a name="31"><em>  31</em></a></span></td>
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<td>  These are encouraging testimonies. If the moon looks larger here than in Europe, probably the sun looks larger also. If the heavens of America appear infinitely higher, and the stars brighter, I trust that these facts are symbolical of the height to which the philosophy and poetry and religion of her inhabitants may one day soar. At length, perchance, the immaterial heaven will appear as much higher to the American mind, and the intimations that star it as much brighter. For I believe that climate does thus react on man—as there is something in the mountain air that feeds the spirit and inspires. Will not man grow to greater perfection intellectually as well as physically under these influences? Or is it unimportant how many foggy days there are in his life? I trust that we shall be more imaginative, that our thoughts will be clearer, fresher, and more ethereal, as our sky—our understanding more comprehensive and broader, like our plains—our intellect generally on a grander scale, like our thunder and lightning, our rivers and mountains and forests—and our hearts shall even correspond in breadth and depth and grandeur to our inland seas. Perchance there will appear to the traveller something, he knows not what, of <em>læta</em> and <em>glabra,</em> of joyous and serene, in our very faces. Else to what end does the world go on, and why was America discovered?</td>
<td align="right" valign="top"><span><a name="32"><em>  32</em></a></span></td>
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<td>  To Americans I hardly need to say—</p>
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<td>        </td>
<td>“Westward the star of empire takes its way.”</td>
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<p>As a true patriot, I should be ashamed to think that Adam in paradise was more favourably situated on the whole than the backwoodsman in this country.</td>
<td align="right" valign="top"><span><a name="33"><em>  33</em></a></span></td>
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<td>  Our sympathies in Massachusetts are not confined to New England; though we may be estranged from the South, we sympathize with the West. There is the home of the younger sons, as among the Scandinavians they took to the sea for their inheritance. It is too late to be studying Hebrew; it is more important to understand even the slang of to-day.</td>
<td align="right" valign="top"><span><a name="34"><em>  34</em></a></span></td>
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<td>  Some months ago I went to see a panorama of the Rhine. It was like a dream of the Middle Ages. I floated down its historic stream in something more than imagination, under bridges built by the Romans, and repaired by later heroes, past cities and castles whose very names were music to my ears, and each of which was the subject of a legend. There were Ehrenbreitstein and Rolandseck and Coblentz, which I knew only in history. They were ruins that interested me chiefly. There seemed to come up from its waters and its vineclad hills and valleys a hushed music as of Crusaders departing for the Holy Land. I floated along under the spell of enchantment, as if I had been transported to an heroic age, and breathed an atmosphere of chivalry.</td>
<td align="right" valign="top"><span><a name="35"><em>  35</em></a></span></td>
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<td>  Soon after, I went to see a panorama of the Mississippi, and as I worked my way up the river in the light of to-day and saw the steamboats wooding up, counted the rising cities, gazed on the fresh ruins of Nauvoo, beheld the Indians moving west across the stream, and, as before I had looked up the Moselle, now looked up the Ohio and the Missouri and heard the legends of Dubuque and of Wenona’s Cliff,—still thinking more of the future than of the past or present,—I saw that this was a Rhine stream of a different kind; that the foundations of castles were yet to be laid, and the famous bridges were yet to be thrown over the river; and I felt that <em>this was the heroic age itself,</em> though we know it not, for the hero is commonly the simplest and obscurest of men.</td>
<td align="right" valign="top"><span><a name="36"><em>  36</em></a></span></td>
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<td> </td>
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<td>  The West of which I speak is but another name for the Wild; and what I have been preparing to say is, that in Wildness is the preservation of the World. Every tree sends its fibres forth in search of the Wild. The cities import it at any price. Men plough and sail for it. From the forest and wilderness come the tonics and barks which brace mankind. Our ancestors were savages. The story of Romulus and Remus being suckled by a wolf is not a meaningless fable. The founders of every state which has risen to eminence have drawn their nourishment and vigor from a similar wild source. It was because the children of the Empire were not suckled by the wolf that they were conquered and displaced by the children of the northern forests who were.</td>
<td align="right" valign="top"><span><a name="37"><em>  37</em></a></span></td>
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<td>  I believe in the forest, and in the meadow, and in the night in which the corn grows. We require an infusion of hemlock-spruce or arbor-vitæ in our tea. There is a difference between eating and drinking for strength and from mere gluttony. The Hottentots eagerly devour the marrow of the koodoo and other antelopes raw, as a matter of course. Some of our Northern Indians eat raw the marrow of the Arctic reindeer, as well as various other parts, including the summits of the antlers, as long as they are soft. And herein, perchance, they have stolen a march on the cooks of Paris. They get what usually goes to feed the fire. This is probably better than stall-fed beef and slaughter-house pork to make a man of. Give me a wildness whose glance no civilization can endure—as if we lived on the marrow of koodoos devoured raw.</td>
<td align="right" valign="top"><span><a name="38"><em>  38</em></a></span></td>
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<td>  There are some intervals which border the strain of the wood-thrush, to which I would migrate,—wild lands where no settler has squatted; to which, methinks, I am already acclimated.</td>
<td align="right" valign="top"><span><a name="39"><em>  39</em></a></span></td>
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<td>  The African hunter Cumming tells us that the skin of the eland, as well as that of most other antelopes just killed, emits the most delicious perfume of trees and grass. I would have every man so much like a wild antelope, so much a part and parcel of Nature, that his very person should thus sweetly advertise our senses of his presence, and remind us of those parts of Nature which he most haunts. I feel no disposition to be satirical, when the trapper’s coat emits the odour of musquash even; it is a sweeter scent to me than that which commonly exhales from the merchant’s or the scholar’s garments. When I go into their wardrobes and handle their vestments, I am reminded of no grassy plains and flowery meads which they have frequented, but of dusty merchants’ exchanges and libraries rather.</td>
<td align="right" valign="top"><span><a name="40"><em>  40</em></a></span></td>
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<td>  A tanned skin is something more than respectable, and perhaps olive is a fitter color than white for a man—a denizen of the woods. “The pale white man!” I do not wonder that the African pitied him. Darwin the naturalist says, “A white man bathing by the side of a Tahitian was like a plant bleached by the gardener’s art, compared with a fine, dark green one, growing vigorously in the open fields.”</td>
<td align="right" valign="top"><span><a name="41"><em>  41</em></a></span></td>
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<td>  Ben Jonson exclaims,—</p>
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<td>        </td>
<td>“How near to good is what is fair!”</td>
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<p>So I would say—</p>
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<td>        </td>
<td>How near to good is what is <em>wild!</em></td>
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<p>Life consists with wildness. The most alive is the wildest. Not yet subdued to man, its presence refreshes him. One who pressed forward incessantly and never rested from his labors, who grew fast and made infinite demands on life, would always find himself in a new country or wilderness, and surrounded by the raw material of life. He would be climbing over the prostrate stems of primitive forest trees.</td>
<td align="right" valign="top"><span><a name="42"><em>  42</em></a></span></td>
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<td>  Hope and the future for me are not in lawns and cultivated fields, not in towns and cities, but in the impervious and quaking swamps. When, formerly, I have analyzed my partiality for some farm which I had contemplated purchasing, I have frequently found that I was attracted solely by a few square rods of impermeable and unfathomable bog—a natural sink in one corner of it. That was the jewel which dazzled me. I derive more of my subsistence from the swamps which surround my native town than from the cultivated gardens in the village. There are no richer parterres to my eyes than the dense beds of dwarf andromeda (<em>Cassandra calyculata</em>) which cover these tender places on the earth’s surface. Botany cannot go farther than tell me the names of the shrubs which grow there—the high-blueberry, panicled andromeda, lamb-kill, azalea, and rhodora—all standing in the quaking sphagnum. I often think that I should like to have my house front on this mass of dull red bushes, omitting other flower plots and borders, transplanted spruce and trim box; even graveled walks—to have this fertile spot under my windows, not a few imported barrow-fulls of soil only to cover the sand which was thrown out in digging the cellar. Why not put my house, my parlour, behind this plot, instead of behind that meagre assemblage of curiosities, that poor apology for a Nature and Art, which I call my front-yard? It is an effort to clear up and make a decent appearance when the carpenter and mason have departed, though done as much for the passer-by as the dweller within. The most tasteful front-yard fence was never an agreeable object of study to me; the most elaborate ornaments, acorn-tops, or what not, soon wearied and disgusted me. Bring your sills up to the very edge of the swamp, then (though it may not be the best place for a dry cellar), so that there be no access on that side to citizens. Front-yards are not made to walk in, but, at most, through, and you could go in the back way.</td>
<td align="right" valign="top"><span><a name="43"><em>  43</em></a></span></td>
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<td>  Yes, though you may think me perverse, if it were proposed to me to dwell in the neighborhood of the most beautiful garden that ever human art contrived, or else of a Dismal Swamp, I should certainly decide for the swamp. How vain, then, have been all your labors, citizens, for me!</td>
<td align="right" valign="top"><span><a name="44"><em>  44</em></a></span></td>
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<td>  My spirits infallibly rise in proportion to the outward dreariness. Give me the ocean, the desert, or the wilderness! In the desert, pure air and solitude compensate for want of moisture and fertility. The traveller Burton says of it—“Your <em>morale</em> improves; you become frank and cordial, hospitable and single-minded…. In the desert, spirituous liquors excite only disgust. There is a keen enjoyment in a mere animal existence.” They who have been travelling long on the steppes of Tartary say: “On reentering cultivated lands, the agitation, perplexity, and turmoil of civilization oppressed and suffocated us; the air seemed to fail us, and we felt every moment as if about to die of asphyxia.” When I would recreate myself, I seek the darkest wood, the thickest and most interminable and, to the citizen, most dismal swamp. I enter a swamp as a sacred place,—a <em>sanctum sanctorum.</em> There is the strength, the marrow of Nature. The wild-wood covers the virgin mould,—and the same soil is good for men and for trees. A man’s health requires as many acres of meadow to his prospect as his farm does loads of muck. There are the strong meats on which he feeds. A town is saved, not more by the righteous men in it than by the woods and swamps that surround it. A township where one primitive forest waves above while another primitive forest rots below,—such a town is fitted to raise not only corn and potatoes, but poets and philosophers for the coming ages. In such a soil grew Homer and Confucius and the rest, and out of such a wilderness comes the Reformer eating locusts and wild honey.</td>
<td align="right" valign="top"><span><a name="45"><em>  45</em></a></span></td>
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<td>  To preserve wild animals implies generally the creation of a forest for them to dwell in or resort to. So it is with man. A hundred years ago they sold bark in our streets peeled from our own woods. In the very aspect of those primitive and rugged trees there was, methinks, a tanning principle which hardened and consolidated the fibres of men’s thoughts. Ah! already I shudder for these comparatively degenerate days of my native village, when you cannot collect a load of bark of good thickness; and we no longer produce tar and turpentine.</td>
<td align="right" valign="top"><span><a name="46"><em>  46</em></a></span></td>
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<td>  The civilised nations—Greece, Rome, England—have been sustained by the primitive forests which anciently rotted where they stand. They survive as long as the soil is not exhausted. Alas for human culture! little is to be expected of a nation, when the vegetable mould is exhausted, and it is compelled to make manure of the bones of its fathers. There the poet sustains himself merely by his own superfluous fat, and the philosopher comes down on his marrowbones.</td>
<td align="right" valign="top"><span><a name="47"><em>  47</em></a></span></td>
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<td>  It is said to be the task of the American “to work the virgin soil,” and that “agriculture here already assumes proportions unknown everywhere else.” I think that the farmer displaces the Indian even because he redeems the meadow, and so makes himself stronger and in some respects more natural. I was surveying for a man the other day a single straight line one hundred and thirty-two rods long, through a swamp, at whose entrance might have been written the words which Dante read over the entrance to the infernal regions,—“Leave all hope, ye that enter,”—that is, of ever getting out again; where at one time I saw my employer actually up to his neck and swimming for his life in his property, though it was still winter. He had another similar swamp which I could not survey at all, because it was completely under water, and nevertheless, with regard to a third swamp, which I did <em>survey</em> from a distance, he remarked to me, true to his instincts, that he would not part with it for any consideration, on account of the mud which it contained. And that man intends to put a girdling ditch round the whole in the course of forty months, and so redeem it by the magic of his spade. I refer to him only as the type of a class.</td>
<td align="right" valign="top"><span><a name="48"><em>  48</em></a></span></td>
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<td>  The weapons with which we have gained our most important victories, which should be handed down as heirlooms from father to son, are not the sword and the lance, but the bush-whack, the turf-cutter, the spade, and the bog-hoe, rusted with the blood of many a meadow, and begrimed with the dust of many a hard-fought field. The very winds blew the Indian’s corn-field into the meadow, and pointed out the way which he had not the skill to follow. He had no better implement with which to intrench himself in the land than a clam-shell. But the farmer is armed with plough and spade.</td>
<td align="right" valign="top"><span><a name="49"><em>  49</em></a></span></td>
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<td>  In Literature it is only the wild that attracts us. Dulness is but another name for tameness. It is the uncivilized free and wild thinking in “Hamlet” and the “Iliad,” in all the Scriptures and Mythologies, not learned in the schools, that delights us. As the wild duck is more swift and beautiful than the tame, so is the wild—the mallard—thought, which ’mid falling dews wings its way above the fens. A truly good book is something as natural, and as unexpectedly and unaccountably fair and perfect, as a wild flower discovered on the prairies of the West or in the jungles of the East. Genius is a light which makes the darkness visible, like the lightning’s flash, which perchance shatters the temple of knowledge itself,—and not a taper lighted at the hearthstone of the race, which pales before the light of common day.</td>
<td align="right" valign="top"><span><a name="50"><em>  50</em></a></span></td>
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<td>  English literature, from the days of the minstrels to the Lake Poets,—Chaucer and Spenser and Milton, and even Shakespeare, included—breathes no quite fresh and, in this sense, wild strain. It is an essentially tame and civilized literature, reflecting Greece and Rome. Her wilderness is a green wood, her wild man, a Robin Hood. There is plenty of genial love of Nature, but not so much of Nature herself. Her chronicles inform us when her wild animals, but not when the wild man in her, became extinct.</td>
<td align="right" valign="top"><span><a name="51"><em>  51</em></a></span></td>
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<td>  The science of Humboldt is one thing, poetry is another thing. The poet to-day, notwithstanding all the discoveries of science, and the accumulated learning of mankind, enjoys no advantage over Homer.</td>
<td align="right" valign="top"><span><a name="52"><em>  52</em></a></span></td>
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<td>  Where is the literature which gives expression to Nature? He would be a poet who could impress the winds and streams into his service, to speak for him; who nailed words to their primitive senses, as farmers drive down stakes in the spring, which the frost has heaved; who derived his words as often as he used them—transplanted them to his page with earth adhering to their roots; whose words were so true and fresh and natural that they would appear to expand like the buds at the approach of spring, though they lay half-smothered between two musty leaves in a library,—aye, to bloom and bear fruit there, after their kind, annually, for the faithful reader, in sympathy with surrounding Nature.</td>
<td align="right" valign="top"><span><a name="53"><em>  53</em></a></span></td>
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<td>  I do not know of any poetry to quote which adequately expresses this yearning for the Wild. Approached from this side, the best poetry is tame. I do not know where to find in any literature, ancient or modern, any account which contents me of that Nature with which even I am acquainted. You will perceive that I demand something which no Augustan nor Elizabethan age, which no culture, in short, can give. Mythology comes nearer to it than anything. How much more fertile a Nature, at least, has Grecian mythology its root in than English literature! Mythology is the crop which the Old World bore before its soil was exhausted, before the fancy and imagination were affected with blight; and which it still bears, wherever its pristine vigor is unabated. All other literatures endure only as the elms which overshadow our houses; but this is like the great dragon-tree of the Western Isles, as old as mankind, and, whether that does or not, will endure as long; for the decay of other literatures makes the soil in which it thrives.</td>
<td align="right" valign="top"><span><a name="54"><em>  54</em></a></span></td>
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<td>  The West is preparing to add its fables to those of the East. The valleys of the Ganges, the Nile, and the Rhine having yielded their crop, it remains to be seen what the valleys of the Amazon, the Platte, the Orinoco, the St. Lawrence, and the Mississippi will produce. Perchance, when, in the course of ages, American liberty has become a fiction of the past—as it is to some extent a fiction of the present—the poets of the world will be inspired by American mythology.</td>
<td align="right" valign="top"><span><a name="55"><em>  55</em></a></span></td>
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<td>  The wildest dreams of wild men, even, are not the less true, though they may not recommend themselves to the sense which is most common among Englishmen and Americans to-day. It is not every truth that recommends itself to the common sense. Nature has a place for the wild clematis as well as for the cabbage. Some expressions of truth are reminiscent—others merely <em>sensible,</em> as the phrase is,—others prophetic. Some forms of disease, even, may prophesy forms of health. The geologist has discovered that the figures of serpents, griffins, flying dragons, and other fanciful embellishments of heraldry, have their prototypes in the forms of fossil species which were extinct before man was created, and hence “indicate a faint and shadowy knowledge of a previous state of organic existence.” The Hindoos dreamed that the earth rested on an elephant, and the elephant on a tortoise, and the tortoise on a serpent; and though it may be an unimportant coincidence, it will not be out of place here to state, that a fossil tortoise has lately been discovered in Asia large enough to support an elephant. I confess that I am partial to these wild fancies, which transcend the order of time and development. They are the sublimest recreation of the intellect. The partridge loves peas, but not those that go with her into the pot.</td>
<td align="right" valign="top"><span><a name="56"><em>  56</em></a></span></td>
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<td>  In short, all good things are wild and free. There is something in a strain of music, whether produced by an instrument or by the human voice,—take the sound of a bugle in a summer night, for instance,—which by its wildness, to speak without satire, reminds me of the cries emitted by wild beasts in their native forests. It is so much of their wildness as I can understand. Give me for my friends and neighbors wild men, not tame ones. The wildness of the savage is but a faint symbol of the awful ferity with which good men and lovers meet.</td>
<td align="right" valign="top"><span><a name="57"><em>  57</em></a></span></td>
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<td>  I love even to see the domestic animals reassert their native rights,—any evidence that they have not wholly lost their original wild habits and vigor; as when my neighbor’s cow breaks out of her pasture early in the spring and boldly swims the river, a cold, grey tide, twenty-five or thirty rods wide, swollen by the melted snow. It is the buffalo crossing the Mississippi. This exploit confers some dignity on the herd in my eyes—already dignified. The seeds of instinct are preserved under the thick hides of cattle and horses, like seeds in the bowels of the earth, an indefinite period.</td>
<td align="right" valign="top"><span><a name="58"><em>  58</em></a></span></td>
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<td>  Any sportiveness in cattle is unexpected. I saw one day a herd of a dozen bullocks and cows running about and frisking in unwieldy sport, like huge rats, even like kittens. They shook their heads, raised their tails, and rushed up and down a hill, and I perceived by their horns, as well as by their activity, their relation to the deer tribe. But, alas! a sudden loud <em>Whoa!</em> would have damped their ardor at once, reduced them from venison to beef, and stiffened their sides and sinews like the locomotive. Who but the Evil One has cried, “Whoa!” to mankind? Indeed, the life of cattle, like that of many men, is but a sort of locomotiveness; they move a side at a time, and man, by his machinery, is meeting the horse and the ox half-way. Whatever part the whip has touched is thenceforth palsied. Who would ever think of a <em>side</em> of any of the supple cat tribe, as we speak of a <em>side</em> of beef?</td>
<td align="right" valign="top"><span><a name="59"><em>  59</em></a></span></td>
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<td>  I rejoice that horses and steers have to be broken before they can be made the slaves of men, and that men themselves have some wild oats still left to sow before they become submissive members of society. Undoubtedly, all men are not equally fit subjects for civilization; and because the majority, like dogs and sheep, are tame by inherited disposition, this is no reason why the others should have their natures broken that they may be reduced to the same level. Men are in the main alike, but they were made several in order that they might be various. If a low use is to be served, one man will do nearly or quite as well as another; if a high one, individual excellence is to be regarded. Any man can stop a hole to keep the wind away, but no other man could serve so rare a use as the author of this illustration did. Confucius says—“The skins of the tiger and the leopard, when they are tanned, are as the skins of the dog and the sheep tanned.” But it is not the part of a true culture to tame tigers, any more than it is to make sheep ferocious; and tanning their skins for shoes is not the best use to which they can be put.</td>
<td align="right" valign="top"><span><a name="60"><em>  60</em></a></span></td>
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<td> </td>
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<td>  When looking over a list of men’s names in a foreign language, as of military officers, or of authors who have written on a particular subject, I am reminded once more that there is nothing in a name. The name Menschikoff, for instance, has nothing in it to my ears more human than a whisker, and it may belong to a rat. As the names of the Poles and Russians are to us, so are ours to them. It is as if they had been named by the child’s rigmarole—<em>Iery wiery ichery van, tittle-tol-tan.</em> I see in my mind a herd of wild creatures swarming over the earth, and to each the herdsman has affixed some barbarous sound in his own dialect. The names of men are of course as cheap and meaningless as <em>Bose<em> and <em>Tray,</em> the names of dogs.</em></em></td>
<td align="right" valign="top"><span><a name="61"><em>  61</em></a></span></td>
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<td>  Methinks it would be some advantage to philosophy, if men were named merely in the gross, as they are known. It would be necessary only to know the genus and perhaps the race or variety, to know the individual. We are not prepared to believe that every private soldier in a Roman army had a name of his own,—because we have not supposed that he had a character of his own.</td>
<td align="right" valign="top"><span><a name="62"><em>  62</em></a></span></td>
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<td>  At present our only true names are nicknames. I knew a boy who, from his peculiar energy, was called “Buster” by his playmates, and this rightly supplanted his Christian name. Some travellers tell us that an Indian had no name given him at first, but earned it, and his name was his fame: and among some tribes he acquired a new name with every new exploit. It is pitiful when a man bears a name for convenience merely, who has earned neither name nor fame.</td>
<td align="right" valign="top"><span><a name="63"><em>  63</em></a></span></td>
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<td>  I will not allow mere names to make distinctions for me, but still see men in herds for all them. A familiar name cannot make a man less strange to me. It may be given to a savage who retains in secret his own wild title earned in the woods. We have a wild savage in us, and a savage name is perchance somewhere recorded as ours. I see that my neighbor, who bears the familiar epithet William, or Edwin, takes it off with his jacket. It does not adhere to him when asleep or in anger, or aroused by any passion or inspiration. I seem to hear pronounced by some of his kin at such a time his original wild name in some jaw-breaking or else melodious tongue.</td>
<td align="right" valign="top"><span><a name="64"><em>  64</em></a></span></td>
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<td> </td>
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<td>  Here is this vast, savage, howling mother of ours, Nature, lying all around, with such beauty, and such affection for her children, as the leopard; and yet we are so early weaned from her breast to society, to that culture which is exclusively an interaction of man on man—a sort of breeding in and in, which produces at most a merely English nobility, a civilization destined to have a speedy limit.</td>
<td align="right" valign="top"><span><a name="65"><em>  65</em></a></span></td>
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<td>  In society, in the best institutions of men, it is easy to detect a certain precocity. When we should still be growing children, we are already little men. Give me a culture which imports much muck from the meadows, and deepens the soil—not that which trusts to heating manures, and improved implements and modes of culture only!</td>
<td align="right" valign="top"><span><a name="66"><em>  66</em></a></span></td>
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<td>  Many a poor sore-eyed student that I have heard of would grow faster, both intellectually and physically, if, instead of sitting up so very late, he honestly slumbered a fool’s allowance.</td>
<td align="right" valign="top"><span><a name="67"><em>  67</em></a></span></td>
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<td>  There may be an excess even of informing light. Niépce, a Frenchman, discovered “actinism,” that power in the sun’s rays which produces a chemical effect; that granite rocks, and stone structures, and statues of metal, “are all alike destructively acted upon during the hours of sunshine, and, but for provisions of Nature no less wonderful, would soon perish under the delicate touch of the most subtile of the agencies of the universe.” But he observed that “those bodies which underwent this change during the daylight possessed the power of restoring themselves to their original conditions during the hours of night, when this excitement was no longer influencing them.” Hence it has been inferred that “the hours of darkness are as necessary to the inorganic creation as we know night and sleep are to the organic kingdom.” Not even does the moon shine every night, but gives place to darkness.</td>
<td align="right" valign="top"><span><a name="68"><em>  68</em></a></span></td>
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<td>  I would not have every man nor every part of a man cultivated, any more than I would have every acre of earth cultivated: part will be tillage, but the greater part will be meadow and forest, not only serving an immediate use, but preparing a mould against a distant future, by the annual decay of the vegetation which it supports.</td>
<td align="right" valign="top"><span><a name="69"><em>  69</em></a></span></td>
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<td>  There are other letters for the child to learn than those which Cadmus invented. The Spaniards have a good term to express this wild and dusky knowledge—<em>Gramática parda,</em> tawny grammar—a kind of mother-wit derived from that same leopard to which I have referred.</td>
<td align="right" valign="top"><span><a name="70"><em>  70</em></a></span></td>
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<td>  We have heard of a Society for the Diffusion of Useful Knowledge. It is said that knowledge is power; and the like. Methinks there is equal need of a Society for the Diffusion of Useful Ignorance, what we will can Beautiful Knowledge, a knowledge useful in a higher sense: for what is most of our boasted so-called knowledge but a conceit that we know something, which robs us of the advantage of our actual ignorance? What we call knowledge is often our positive ignorance; ignorance our negative knowledge. By long years of patient industry and reading of the newspapers,—for what are the libraries of science but files of newspapers?—a man accumulates a myriad facts, lays them up in his memory, and then when in some spring of his life he saunters abroad into the Great Fields of thought, he, as it were, goes to grass like a horse and leaves all his harness behind in the stable. I would say to the Society for the Diffusion of Useful Knowledge, sometimes,—Go to grass. You have eaten hay long enough. The spring has come with its green crop. The very cows are driven to their country pastures before the end of May; though I have heard of one unnatural farmer who kept his cow in the barn and fed her on hay all the year round. So, frequently, the Society for the Diffusion of Useful Knowledge treats its cattle.</td>
<td align="right" valign="top"><span><a name="71"><em>  71</em></a></span></td>
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<td>  A man’s ignorance some times is not only useful, but beautiful,—while his knowledge, so called, is oftentimes worse than useless, besides being ugly. Which is the best man to deal with,—he who knows nothing about a subject, and, what is extremely rare, knows that he knows nothing, or he who really knows something about it, but thinks that he knows all?</td>
<td align="right" valign="top"><span><a name="72"><em>  72</em></a></span></td>
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<td>  My desire for knowledge is intermittent; but my desire to bathe my head in atmospheres unknown to my feet is perennial and constant. The highest that we can attain to is not Knowledge, but Sympathy with Intelligence. I do not know that this higher knowledge amounts to anything more definite than a novel and grand surprise on a sudden revelation of the insufficiency of all that we called Knowledge before,—a discovery that there are more things in heaven and earth than are dreamed of in our philosophy. It is the lighting up of the mist by the sun. Man cannot know in any higher sense than this, any more than he can look serenely and with impunity in the face of the sun: [Greek],—“You will not perceive that, as perceiving a particular thing.” say the Chaldean Oracles.</td>
<td align="right" valign="top"><span><a name="73"><em>  73</em></a></span></td>
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<td>  There is something servile in the habit of seeking after a law which we may obey. We may study the laws of matter at and for our convenience, but a successful life knows no law. It is an unfortunate discovery certainly, that of a law which binds us where we did not know before that we were bound. Live free, child of the mist.—and with respect to knowledge we are all children of the mist. The man who takes the liberty to live is superior to all the laws, by virtue of his relation to the law-maker. “That is active duty,” says the Vishnu Purana, “which is not for our bondage; that is knowledge which is for our liberation: all other duty is good only unto wariness; all other knowledge is only the cleverness of an artist.”</td>
<td align="right" valign="top"><span><a name="74"><em>  74</em></a></span></td>
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<td> </td>
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<td>  It is remarkable how few events or crises there are in our histories; how little exercised we have been in our minds; how few experiences we have had. I would fain be assured that I am growing apace and rankly, though my very growth disturb this dull equanimity,—though it be with struggle through long, dark, muggy nights or seasons of gloom. It would be well, if all our lives were a divine tragedy even, instead of this trivial comedy or farce. Dante, Bunyan, and others appear to have been exercised in their minds more than we: they were subjected to a kind of culture such as our district schools and colleges do not contemplate. Even Mahomet, though many may scream at his name, had a good deal more to live for, aye, and to die for, than they have commonly.</td>
<td align="right" valign="top"><span><a name="75"><em>  75</em></a></span></td>
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<td>  When, at rare intervals, some thought visits one, as perchance he is walking on a railroad, then indeed the cars go by without his hearing them. But soon, by some inexorable law, our life goes by and the cars return.</p>
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<td>        </td>
<td>“Gentle breeze, that wanderest unseen,</td>
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<td> </td>
<td>And bendest the thistles round Loira of storms,</td>
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<td> </td>
<td>Traveller of the windy glens,</td>
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<td> </td>
<td>Why hast thou left my ear so soon?”</td>
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</td>
<td align="right" valign="top"><span><a name="76"><em>  76</em></a></span></td>
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<td>  While almost all men feel an attraction drawing them to society, few are attracted strongly to Nature. In their relation to Nature men appear to me for the most part, notwithstanding their arts, lower than the animals. It is not often a beautiful relation, as in the case of the animals. How little appreciation of the beauty of the landscape there is among us! We have to be told that the Greeks called the world [Greek], Beauty, or Order, but we do not see clearly why they did so, and we esteem it at best only a curious philological fact.</td>
<td align="right" valign="top"><span><a name="77"><em>  77</em></a></span></td>
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<td>  For my part, I feel that with regard to Nature I live a sort of border life, on the confines of a world into which I make occasional and transient forays only, and my patriotism and allegiance to the State into whose territories I seem to retreat are those of a moss-trooper. Unto a life which I call natural I would gladly follow even a will-o’-the-wisp through bogs and sloughs unimaginable, but no moon nor firefly has shown me the causeway to it. Nature is a personality so vast and universal that we have never seen one of her features. The walker in the familiar fields which stretch around my native town sometimes finds himself in another land than is described in their owners’ deeds, as it were in some far-away field on the confines of the actual Concord, where her jurisdiction ceases, and the idea which the word Concord suggests ceases to be suggested. These farms which I have myself surveyed, these bounds which I have set up, appear dimly still as through a mist; but they have no chemistry to fix them; they fade from the surface of the glass; and the picture which the painter painted stands out dimly from beneath. The world with which we are commonly acquainted leaves no trace, and it will have no anniversary.</td>
<td align="right" valign="top"><span><a name="78"><em>  78</em></a></span></td>
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<td>  I took a walk on Spaulding’s Farm the other afternoon. I saw the setting sun lighting up the opposite side of a stately pine wood. Its golden rays straggled into the aisles of the wood as into some noble hall. I was impressed as if some ancient and altogether admirable and shining family had settled there in that part of the land called Concord, unknown to me,—to whom the sun was servant,—who had not gone into society in the village,—who had not been called on. I saw their park, their pleasure-ground, beyond through the wood, in Spaulding’s cranberry-meadow. The pines furnished them with gables as they grew. Their house was not obvious to vision; the trees grew through it. I do not know whether I heard the sounds of a suppressed hilarity or not. They seemed to recline on the sunbeams. They have sons and daughters. They are quite well. The farmer’s cart-path, which leads directly through their hall, does not in the least put them out, as the muddy bottom of a pool is sometimes seen through the reflected skies. They never heard of Spaulding, and do not know that he is their neighbor,—notwithstanding I heard him whistle as he drove his team through the house. Nothing can equal the serenity of their lives. Their coat of arms is simply a lichen. I saw it painted on the pines and oaks. Their attics were in the tops of the trees. They are of no politics. There was no noise of labor. I did not perceive that they were weaving or spinning. Yet I did detect, when the wind lulled and hearing was done away, the finest imaginable sweet musical hum,—as of a distant hive in May, which perchance was the sound of their thinking. They had no idle thoughts, and no one without could see their work, for their industry was not as in knots and excrescences embayed.</td>
<td align="right" valign="top"><span><a name="79"><em>  79</em></a></span></td>
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<td>  But I find it difficult to remember them. They fade irrevocably out of my mind even now while I speak and endeavor to recall them and recollect myself. It is only after a long and serious effort to recollect my best thoughts that I become again aware of their cohabitancy. If it were not for such families as this, I think I should move out of Concord.</td>
<td align="right" valign="top"><span><a name="80"><em>  80</em></a></span></td>
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<td> </td>
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<td>  We are accustomed to say in New England that few and fewer pigeons visit us every year. Our forests furnish no mast for them. So, it would seem, few and fewer thoughts visit each growing man from year to year, for the grove in our minds is laid waste,—sold to feed unnecessary fires of ambition, or sent to mill, and there is scarcely a twig left for them to perch on. They no longer build nor breed with us. In some more genial season, perchance, a faint shadow flits across the landscape of the mind, cast by the wings of some thought in its vernal or autumnal migration, but, looking up, we are unable to detect the substance of the thought itself. Our winged thoughts are turned to poultry. They no longer soar, and they attain only to a Shanghai and Cochin—China grandeur. Those <em>gra-a-ate thoughts,</em> those <em>gra-a-ate men</em> you hear of!</td>
<td align="right" valign="top"><span><a name="81"><em>  81</em></a></span></td>
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<td> </td>
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<td>  We hug the earth,—how rarely we mount! Methinks we might elevate ourselves a little more. We might climb a tree, at least. I found my account in climbing a tree once. It was a tall white pine, on the top of a hill; and though I got well pitched, I was well paid for it, for I discovered new mountains in the horizon which I had never seen before,—so much more of the earth and the heavens. I might have walked about the foot of the tree for three-score years and ten, and yet I certainly should never have seen them. But, above all, I discovered around me,—it was near the end of June,—on the ends of the topmost branches only, a few minute and delicate red cone-like blossoms, the fertile flower of the white pine looking heavenward. I carried straightway to the village the topmost spire, and showed it to stranger jurymen who walked the streets,—for it was court-week,—and to farmers and lumber-dealers and wood-choppers and hunters, and not one had even seen the like before, but wondered as at a star dropped down. Tell of ancient architects finishing their works on the tops of columns as perfectly as on the lower and more visible parts! Nature has from the first expanded the minute blossoms of the forest only toward the heavens, above men’s heads and unobserved by them. We see only the flowers that are under our feet in the meadows. The pines have developed their delicate blossoms on the highest twigs of the wood every summer for ages, as well over the heads of Nature’s red children as of her white ones; yet scarcely a farmer or hunter in the land has even seen them.</td>
<td align="right" valign="top"><span><a name="82"><em>  82</em></a></span></td>
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<td> </td>
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<td>  Above all, we cannot afford not to live in the present. He is blessed over all mortals who loses no moment of the passing life in remembering the past. Unless our philosophy hears the cock crow in every barn-yard within our horizon, it is belated. That sound commonly reminds us that we are growing rusty and antique in our employments and habits of thought. His philosophy comes down to a more recent time than ours. There is something suggested by it that is a newer testament,—the gospel according to this moment. He has not fallen astern; he has got up early and kept up early, and to be where he is is to be in season, in the foremost rank of time. It is an expression of the health and soundness of Nature, a brag for all the world,—healthiness as of a spring burst forth, a new fountain of the Muses, to celebrate this last instant of time. Where he lives no fugitive slave laws are passed. Who has not betrayed his master many times since last he heard that note?</td>
<td align="right" valign="top"><span><a name="83"><em>  83</em></a></span></td>
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<td>  The merit of this bird’s strain is in its freedom from all plaintiveness. The singer can easily move us to tears or to laughter, but where is he who can excite in us a pure morning joy? When, in doleful dumps, breaking the awful stillness of our wooden sidewalk on a Sunday, or, perchance, a watcher in the house of mourning, I hear a cockerel crow far or near, I think to myself, “There is one of us well, at any rate,”—and with a sudden gush return to my senses.</td>
<td align="right" valign="top"><span><a name="84"><em>  84</em></a></span></td>
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<td> </td>
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<td>  We had a remarkable sunset one day last November. I was walking in a meadow, the source of a small brook, when the sun at last, just before setting, after a cold gray day, reached a clear stratum in the horizon, and the softest, brightest morning sunlight fell on the dry grass and on the stems of the trees in the opposite horizon and on the leaves of the shrub-oaks on the hillside, while our shadows stretched long over the meadow eastward, as if we were the only motes in its beams. It was such a light as we could not have imagined a moment before, and the air also was so warm and serene that nothing was wanting to make a paradise of that meadow. When we reflected that this was not a solitary phenomenon, never to happen again, but that it would happen forever and ever an infinite number of evenings, and cheer and reassure the latest child that walked there, it was more glorious still.</td>
<td align="right" valign="top"><span><a name="85"><em>  85</em></a></span></td>
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<td>  The sun sets on some retired meadow, where no house is visible, with all the glory and splendor that it lavishes on cities, and perchance as it has never set before,—where there is but a solitary marsh-hawk to have his wings gilded by it, or only a musquash looks out from his cabin, and there is some little black-veined brook in the midst of the marsh, just beginning to meander, winding slowly round a decaying stump. We walked in so pure and bright a light, gilding the withered grass and leaves, so softly and serenely bright, I thought I had never bathed in such golden flood, without a ripple or a murmur to it. The west side of every wood and rising ground gleamed like the boundary of Elysium, and the sun on our backs seemed like a gentle herdsman driving us home at evening.</td>
<td align="right" valign="top"><span><a name="86"><em>  86</em></a></span></td>
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<td>  So we saunter toward the Holy Land, till one day the sun shall shine more brightly than ever he has done, shall perchance shine into our minds and hearts, and light up our whole lives with a great awakening light, as warm and serene and golden as on a bankside in autumn.</td>
<td align="right" valign="top"><span><a name="87"><em>  87</em></a></span></td>
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		<title>Singapore, Hindu Temple Roof</title>
		<link>http://www.brash.us/site/archives/173</link>
		<comments>http://www.brash.us/site/archives/173#comments</comments>
		<pubDate>Mon, 07 Jun 2010 23:24:58 +0000</pubDate>
		<dc:creator>Corvis777</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.brash.us/site/?p=173</guid>
		<description><![CDATA[Louis Untermeyer, ed. (1885–1977). Modern British Poetry.  1920.   Rudyard Kipling. 1865–   48. Gunga Din   YOU may talk o&#8217; gin an&#8217; beer   When you&#8217;re quartered safe out &#8216;ere,   An&#8217; you&#8217;re sent to penny-fights an&#8217; Aldershot it;   But if it comes to slaughter   You will do your work on water,          5 An&#8217; you&#8217;ll ...]]></description>
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<td align="center">Louis Untermeyer, ed. <span>(1885–1977).</span> Modern British Poetry.  <span>1920.</span></td>
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<td align="center"><span style="font-size: xx-small;">Rudyard Kipling.</span> 1865–</td>
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<td align="center"><span style="color: #9c9c63;"><span style="font-size: xx-small;"><a href="/103/2000.html#20">48</a>.</span> <span style="font-size: x-small;"><strong>Gunga Din</strong></span></span></td>
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<td>Y<span>OU</span> may talk o&#8217; gin an&#8217; beer</td>
<td align="right" valign="top"><span><a name="1"> </a></span></td>
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<td>When you&#8217;re quartered safe out &#8216;ere,</td>
<td align="right" valign="top"><span><a name="2"> </a></span></td>
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<td>An&#8217; you&#8217;re sent to penny-fights an&#8217; Aldershot it;</td>
<td align="right" valign="top"><span><a name="3"> </a></span></td>
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<td>But if it comes to slaughter</td>
<td align="right" valign="top"><span><a name="4"> </a></span></td>
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<td>You will do your work on water,</td>
<td align="right" valign="top"><span><a name="5"><em>         5</em></a></span></td>
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<td>An&#8217; you&#8217;ll lick the bloomin&#8217; boots of &#8216;im that&#8217;s got it.</td>
<td align="right" valign="top"><span><a name="6"> </a></span></td>
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<td>Now in Injia&#8217;s sunny clime,</td>
<td align="right" valign="top"><span><a name="7"> </a></span></td>
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<td>Where I used to spend my time</td>
<td align="right" valign="top"><span><a name="8"> </a></span></td>
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<td>A-servin&#8217; of &#8216;Er Majesty the Queen,</td>
<td align="right" valign="top"><span><a name="9"> </a></span></td>
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<td>Of all them black-faced crew</td>
<td align="right" valign="top"><span><a name="10"><em>  10</em></a></span></td>
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<td>The finest man I knew</td>
<td align="right" valign="top"><span><a name="11"> </a></span></td>
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<td>Was our regimental <em>bhisti,</em> Gunga Din.</td>
<td align="right" valign="top"><span><a name="12"> </a></span></td>
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<td>  </td>
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<td>    It was &#8220;Din! Din! Din!</td>
<td align="right" valign="top"><span><a name="13"> </a></span></td>
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<td>    You limping lump o&#8217; brick-dust, Gunga Din!</td>
<td align="right" valign="top"><span><a name="14"> </a></span></td>
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<td>    Hi! <em>slippy hitherao!</em></td>
<td align="right" valign="top"><span><a name="15"><em>  15</em></a></span></td>
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<td>    Water, get it! <em>Panee lao!</em></td>
<td align="right" valign="top"><span><a name="16"> </a></span></td>
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<td>    You squidgy-nosed old idol, Gunga Din!&#8221;</td>
<td align="right" valign="top"><span><a name="17"> </a></span></td>
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<td>  </td>
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<td>The uniform &#8216;e wore</td>
<td align="right" valign="top"><span><a name="18"> </a></span></td>
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<td>Was nothin&#8217; much before,</td>
<td align="right" valign="top"><span><a name="19"> </a></span></td>
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<td>An&#8217; rather less than &#8216;arf o&#8217; that be&#8217;ind,</td>
<td align="right" valign="top"><span><a name="20"><em>  20</em></a></span></td>
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<td>For a twisty piece o&#8217; rag</td>
<td align="right" valign="top"><span><a name="21"> </a></span></td>
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<td>An&#8217; a goatskin water-bag</td>
<td align="right" valign="top"><span><a name="22"> </a></span></td>
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<td>Was all the field-equipment &#8216;e could find.</td>
<td align="right" valign="top"><span><a name="23"> </a></span></td>
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<td>When the sweatin&#8217; troop-train lay</td>
<td align="right" valign="top"><span><a name="24"> </a></span></td>
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<td>In a sidin&#8217; through the day,</td>
<td align="right" valign="top"><span><a name="25"><em>  25</em></a></span></td>
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<td>Where the &#8216;eat would make your bloomin&#8217; eyebrows crawl,</td>
<td align="right" valign="top"><span><a name="26"> </a></span></td>
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<td>We shouted <em>&#8220;Harry By!&#8221;</em></td>
<td align="right" valign="top"><span><a name="27"> </a></span></td>
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<td>Till our throats were bricky-dry,</td>
<td align="right" valign="top"><span><a name="28"> </a></span></td>
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<td>Then we wopped &#8216;im &#8217;cause &#8216;e couldn&#8217;t serve us all.</td>
<td align="right" valign="top"><span><a name="29"> </a></span></td>
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<td>  </td>
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<td>    It was &#8220;Din! Din! Din!</td>
<td align="right" valign="top"><span><a name="30"><em>  30</em></a></span></td>
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<td>    You &#8216;eathen, where the mischief &#8216;ave you been?</td>
<td align="right" valign="top"><span><a name="31"> </a></span></td>
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<td>    You put some <em>juldee</em> in it,</td>
<td align="right" valign="top"><span><a name="32"> </a></span></td>
</tr>
<tr>
<td>    Or I&#8217;ll <em>marrow</em> you this minute,</td>
<td align="right" valign="top"><span><a name="33"> </a></span></td>
</tr>
<tr>
<td>    If you don&#8217;t fill up my helmet, Gunga Din!&#8221;</td>
<td align="right" valign="top"><span><a name="34"> </a></span></td>
</tr>
<tr>
<td>  </td>
</tr>
<tr>
<td>&#8216;E would dot an&#8217; carry one</td>
<td align="right" valign="top"><span><a name="35"><em>  35</em></a></span></td>
</tr>
<tr>
<td>Till the longest day was done,</td>
<td align="right" valign="top"><span><a name="36"> </a></span></td>
</tr>
<tr>
<td>An&#8217; &#8216;e didn&#8217;t seem to know the use o&#8217; fear.</td>
<td align="right" valign="top"><span><a name="37"> </a></span></td>
</tr>
<tr>
<td>If we charged or broke or cut,</td>
<td align="right" valign="top"><span><a name="38"> </a></span></td>
</tr>
<tr>
<td>You could bet your bloomin&#8217; nut,</td>
<td align="right" valign="top"><span><a name="39"> </a></span></td>
</tr>
<tr>
<td>&#8216;E&#8217;d be waitin&#8217; fifty paces right flank rear.</td>
<td align="right" valign="top"><span><a name="40"><em>  40</em></a></span></td>
</tr>
<tr>
<td>With &#8216;is <em>mussick</em> on &#8216;is back,</td>
<td align="right" valign="top"><span><a name="41"> </a></span></td>
</tr>
<tr>
<td>&#8216;E would skip with our attack,</td>
<td align="right" valign="top"><span><a name="42"> </a></span></td>
</tr>
<tr>
<td>An&#8217; watch us till the bugles made &#8220;Retire.&#8221;</td>
<td align="right" valign="top"><span><a name="43"> </a></span></td>
</tr>
<tr>
<td>An&#8217; for all &#8216;is dirty &#8216;ide,</td>
<td align="right" valign="top"><span><a name="44"> </a></span></td>
</tr>
<tr>
<td>&#8216;E was white, clear white, inside</td>
<td align="right" valign="top"><span><a name="45"><em>  45</em></a></span></td>
</tr>
<tr>
<td>When &#8216;e went to tend the wounded under fire!</td>
<td align="right" valign="top"><span><a name="46"> </a></span></td>
</tr>
<tr>
<td>  </td>
</tr>
<tr>
<td>    It was &#8220;Din! Din! Din!&#8221;</td>
<td align="right" valign="top"><span><a name="47"> </a></span></td>
</tr>
<tr>
<td>    With the bullets kickin&#8217; dust-spots on the green.</td>
<td align="right" valign="top"><span><a name="48"> </a></span></td>
</tr>
<tr>
<td>    When the cartridges ran out,</td>
<td align="right" valign="top"><span><a name="49"> </a></span></td>
</tr>
<tr>
<td>    You could &#8216;ear the front-files shout:</td>
<td align="right" valign="top"><span><a name="50"><em>  50</em></a></span></td>
</tr>
<tr>
<td>    &#8221;Hi! ammunition-mules an&#8217; Gunga Din!&#8221;</td>
<td align="right" valign="top"><span><a name="51"> </a></span></td>
</tr>
<tr>
<td>  </td>
</tr>
<tr>
<td>I sha&#8217;n't forgit the night</td>
<td align="right" valign="top"><span><a name="52"> </a></span></td>
</tr>
<tr>
<td>When I dropped be&#8217;ind the fight</td>
<td align="right" valign="top"><span><a name="53"> </a></span></td>
</tr>
<tr>
<td>With a bullet where my belt-plate should &#8216;a&#8217; been.</td>
<td align="right" valign="top"><span><a name="54"> </a></span></td>
</tr>
<tr>
<td>I was chokin&#8217; mad with thirst,</td>
<td align="right" valign="top"><span><a name="55"><em>  55</em></a></span></td>
</tr>
<tr>
<td>An&#8217; the man that spied me first</td>
<td align="right" valign="top"><span><a name="56"> </a></span></td>
</tr>
<tr>
<td>Was our good old grinnin&#8217;, gruntin&#8217; Gunga Din.</td>
<td align="right" valign="top"><span><a name="57"> </a></span></td>
</tr>
<tr>
<td>  </td>
</tr>
<tr>
<td>&#8216;E lifted up my &#8216;ead,</td>
<td align="right" valign="top"><span><a name="58"> </a></span></td>
</tr>
<tr>
<td>An&#8217; &#8216;e plugged me where I bled,</td>
<td align="right" valign="top"><span><a name="59"> </a></span></td>
</tr>
<tr>
<td>An&#8217; &#8216;e guv me &#8216;arf-a-pint o&#8217; water—green;</td>
<td align="right" valign="top"><span><a name="60"><em>  60</em></a></span></td>
</tr>
<tr>
<td>It was crawlin&#8217; an&#8217; it stunk,</td>
<td align="right" valign="top"><span><a name="61"> </a></span></td>
</tr>
<tr>
<td>But of all the drinks I&#8217;ve drunk,</td>
<td align="right" valign="top"><span><a name="62"> </a></span></td>
</tr>
<tr>
<td>I&#8217;m gratefullest to one from Gunga Din.</td>
<td align="right" valign="top"><span><a name="63"> </a></span></td>
</tr>
<tr>
<td>  </td>
</tr>
<tr>
<td>    It was &#8220;Din! Din! Din!</td>
<td align="right" valign="top"><span><a name="64"> </a></span></td>
</tr>
<tr>
<td>    &#8217;Ere&#8217;s a beggar with a bullet through &#8216;is spleen;</td>
<td align="right" valign="top"><span><a name="65"><em>  65</em></a></span></td>
</tr>
<tr>
<td>    &#8217;E's chawin&#8217; up the ground an&#8217; &#8216;e&#8217;s kickin&#8217; all around:</td>
<td align="right" valign="top"><span><a name="66"> </a></span></td>
</tr>
<tr>
<td>    For Gawd&#8217;s sake, git the water, Gunga Din!&#8221;</td>
<td align="right" valign="top"><span><a name="67"> </a></span></td>
</tr>
<tr>
<td>  </td>
</tr>
<tr>
<td>&#8216;E carried me away</td>
<td align="right" valign="top"><span><a name="68"> </a></span></td>
</tr>
<tr>
<td>To where a <em>dooli</em> lay,</td>
<td align="right" valign="top"><span><a name="69"> </a></span></td>
</tr>
<tr>
<td>An&#8217; a bullet come an&#8217; drilled the beggar clean.</td>
<td align="right" valign="top"><span><a name="70"><em>  70</em></a></span></td>
</tr>
<tr>
<td>&#8216;E put me safe inside,</td>
<td align="right" valign="top"><span><a name="71"> </a></span></td>
</tr>
<tr>
<td>An&#8217; just before &#8216;e died:</td>
<td align="right" valign="top"><span><a name="72"> </a></span></td>
</tr>
<tr>
<td>&#8220;I &#8216;ope you liked your drink,&#8221; sez Gunga Din.</td>
<td align="right" valign="top"><span><a name="73"> </a></span></td>
</tr>
<tr>
<td>So I&#8217;ll meet &#8216;im later on</td>
<td align="right" valign="top"><span><a name="74"> </a></span></td>
</tr>
<tr>
<td>In the place where &#8216;e is gone—</td>
<td align="right" valign="top"><span><a name="75"><em>  75</em></a></span></td>
</tr>
<tr>
<td>Where it&#8217;s always double drill and no canteen;</td>
<td align="right" valign="top"><span><a name="76"> </a></span></td>
</tr>
<tr>
<td>&#8216;E&#8217;ll be squattin&#8217; on the coals</td>
<td align="right" valign="top"><span><a name="77"> </a></span></td>
</tr>
<tr>
<td>Givin&#8217; drink to pore damned souls,</td>
<td align="right" valign="top"><span><a name="78"> </a></span></td>
</tr>
<tr>
<td>An&#8217; I&#8217;ll get a swig in Hell from Gunga Din!</td>
<td align="right" valign="top"><span><a name="79"> </a></span></td>
</tr>
<tr>
<td>  </td>
</tr>
<tr>
<td>    Din! Din! Din!</td>
<td align="right" valign="top"><span><a name="80"><em>  80</em></a></span></td>
</tr>
<tr>
<td>    You Lazarushian-leather Gunga Din!</td>
<td align="right" valign="top"><span><a name="81"> </a></span></td>
</tr>
<tr>
<td>    Tho&#8217; I&#8217;ve belted you an&#8217; flayed you,</td>
<td align="right" valign="top"><span><a name="82"> </a></span></td>
</tr>
<tr>
<td>    By the livin&#8217; Gawd that made you,</td>
<td align="right" valign="top"><span><a name="83"> </a></span></td>
</tr>
<tr>
<td>    You&#8217;re a better man than I am, Gunga Din!</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		</item>
		<item>
		<title>Bengalaru, India, City Ruins 2</title>
		<link>http://www.brash.us/site/archives/170</link>
		<comments>http://www.brash.us/site/archives/170#comments</comments>
		<pubDate>Mon, 07 Jun 2010 23:08:09 +0000</pubDate>
		<dc:creator>Corvis777</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.brash.us/site/?p=170</guid>
		<description><![CDATA[Nicholson &#38; Lee, eds.  The Oxford Book of English Mystical Verse. 1917.    348. The Tree of Knowledge By John Gray  (b. 1893)      FROM what meek jewel seed     Did this tree spring? How first beat its new life in bleak abode Of virgin rock, strange metals for its food, Towards its last hewn mould, the bitter rood? ...]]></description>
			<content:encoded><![CDATA[<table border="0" cellspacing="2" cellpadding="2" width="601" align="center" bgcolor="#ffffff">
<tbody>
<tr>
<td align="center">Nicholson &amp; Lee, eds.  The Oxford Book of English Mystical Verse. <span>1917.</span></td>
</tr>
<tr>
<td>  </td>
</tr>
<tr>
<td align="center"><span style="color: #9c9c63; font-size: x-small;"><strong>348. The Tree of Knowledge</strong></span></td>
</tr>
<tr>
<td align="center"><span style="color: #9c9c63; font-size: xx-small;">By John Gray  (b. 1893)</span></td>
</tr>
<tr>
<td>  </td>
</tr>
<p><!-- END CHAPTERTITLE --></tbody>
</table>
<table cellspacing="0" cellpadding="0" align="center"><!-- BEGIN CHAPTER --></p>
<tbody>
<tr>
<td>  F<span>ROM</span> what meek jewel seed</td>
<td><a name="1"></a></td>
</tr>
<tr>
<td>    Did this tree spring?</td>
<td><a name="2"></a></td>
</tr>
<tr>
<td>How first beat its new life in bleak abode</td>
<td><a name="3"></a></td>
</tr>
<tr>
<td>Of virgin rock, strange metals for its food,</td>
<td><a name="4"></a></td>
</tr>
<tr>
<td>Towards its last hewn mould, the bitter rood?</td>
<td align="right" valign="top"><span><a name="5"><em>        5</em></a></span></td>
</tr>
<tr>
<td>  First did it sprout, indeed,</td>
<td><a name="6"></a></td>
</tr>
<tr>
<td>    A double wing.</td>
<td><a name="7"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    Earth hung with its gross weight</td>
<td><a name="8"></a></td>
</tr>
<tr>
<td>    Its loins unto:</td>
<td><a name="9"></a></td>
</tr>
<tr>
<td>The tender wings, with hope in every vein,</td>
<td align="right" valign="top"><span><a name="10"><em>       10</em></a></span></td>
</tr>
<tr>
<td>Beat feebly upward, saying: ‘Is this the pain</td>
<td><a name="11"></a></td>
</tr>
<tr>
<td>The Sooth spake of; to lift to God again</td>
<td><a name="12"></a></td>
</tr>
<tr>
<td>  This blackness’ dark estate</td>
<td><a name="13"></a></td>
</tr>
<tr>
<td>    Reformed anew?</td>
<td><a name="14"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    ‘Mine ’tis, of fruit mine own,</td>
<td align="right" valign="top"><span><a name="15"><em>       15</em></a></span></td>
</tr>
<tr>
<td>    To work this deed:</td>
<td><a name="16"></a></td>
</tr>
<tr>
<td>Earnest of promise absolute, these green</td>
<td><a name="17"></a></td>
</tr>
<tr>
<td>Sweet wings; a million engines pulse therein.</td>
<td><a name="18"></a></td>
</tr>
<tr>
<td>Yet can I leave not for a space, to lean</td>
<td><a name="19"></a></td>
</tr>
<tr>
<td>  Upon a fulcrum known,</td>
<td align="right" valign="top"><span><a name="20"><em>       20</em></a></span></td>
</tr>
<tr>
<td>    To know my need.’</td>
<td><a name="21"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    With which, the seed upthrust</td>
<td><a name="22"></a></td>
</tr>
<tr>
<td>    To God a scale;</td>
<td><a name="23"></a></td>
</tr>
<tr>
<td>Wondering at its fibre and tough growth;</td>
<td><a name="24"></a></td>
</tr>
<tr>
<td>Saying, the while it purposed: ‘For He knoweth</td>
<td align="right" valign="top"><span><a name="25"><em>       25</em></a></span></td>
</tr>
<tr>
<td>My sore extremity, how I am loth</td>
<td><a name="26"></a></td>
</tr>
<tr>
<td>  To cleave unto the dust</td>
<td><a name="27"></a></td>
</tr>
<tr>
<td>    Which makes me hale.’</td>
<td><a name="28"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    Long while the scale increased</td>
<td><a name="29"></a></td>
</tr>
<tr>
<td>    In height and girth;</td>
<td align="right" valign="top"><span><a name="30"><em>       30</em></a></span></td>
</tr>
<tr>
<td>Cast many branches forth and many wings;</td>
<td><a name="31"></a></td>
</tr>
<tr>
<td>Wherein and under, formed and fashioned things</td>
<td><a name="32"></a></td>
</tr>
<tr>
<td>Had great content and speech and twitterings:</td>
<td><a name="33"></a></td>
</tr>
<tr>
<td>  Insect and fowl and beast</td>
<td><a name="34"></a></td>
</tr>
<tr>
<td>    And sons of earth.</td>
<td align="right" valign="top"><span><a name="35"><em>       35</em></a></span></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    Stern, netherward did grope</td>
<td><a name="36"></a></td>
</tr>
<tr>
<td>    Each resolute root</td>
<td><a name="37"></a></td>
</tr>
<tr>
<td>Of the tree, making question in the deep</td>
<td><a name="38"></a></td>
</tr>
<tr>
<td>Of spirits, where the mighty metals sleep,</td>
<td><a name="39"></a></td>
</tr>
<tr>
<td>How long ere from its base the rock should leap;</td>
<td align="right" valign="top"><span><a name="40"><em>       40</em></a></span></td>
</tr>
<tr>
<td>  Saying: ‘Yet have I hope</td>
<td><a name="41"></a></td>
</tr>
<tr>
<td>    Of that my fruit.’</td>
<td><a name="42"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    Sprang from its topmost bough</td>
<td><a name="43"></a></td>
</tr>
<tr>
<td>    The hope at length</td>
<td><a name="44"></a></td>
</tr>
<tr>
<td>Fearsome and fierce and passionate. The sire</td>
<td align="right" valign="top"><span><a name="45"><em>       45</em></a></span></td>
</tr>
<tr>
<td>Warmed his son’s vitals with celestial fire,</td>
<td><a name="46"></a></td>
</tr>
<tr>
<td>Feeding him with sweet gum of strong desire,</td>
<td><a name="47"></a></td>
</tr>
<tr>
<td>  Lest be not stanch enow</td>
<td><a name="48"></a></td>
</tr>
<tr>
<td>    His godly strength.</td>
<td><a name="49"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    Until the gardener came</td>
<td align="right" valign="top"><span><a name="50"><em>       50</em></a></span></td>
</tr>
<tr>
<td>    With his white spouse,</td>
<td><a name="51"></a></td>
</tr>
<tr>
<td>Wounding the tree, and ravishing the son,</td>
<td><a name="52"></a></td>
</tr>
<tr>
<td>(Whence curses fallen and a world undone.)</td>
<td><a name="53"></a></td>
</tr>
<tr>
<td>For that rape, wrathfully a shining one</td>
<td><a name="54"></a></td>
</tr>
<tr>
<td>  Drave them with fearful flame</td>
<td align="right" valign="top"><span><a name="55"><em>       55</em></a></span></td>
</tr>
<tr>
<td>    Without their house.</td>
<td><a name="56"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    Race upon savage race,</td>
<td><a name="57"></a></td>
</tr>
<tr>
<td>    Rough brood on brood,</td>
<td><a name="58"></a></td>
</tr>
<tr>
<td>Defiled before it, whiles the tree scanned each;</td>
<td><a name="59"></a></td>
</tr>
<tr>
<td>Leaned leaf and branch to grapple and beseech;</td>
<td align="right" valign="top"><span><a name="60"><em>       60</em></a></span></td>
</tr>
<tr>
<td>Till, on a certain day, requiring speech</td>
<td><a name="61"></a></td>
</tr>
<tr>
<td>  Of the tree, at its base</td>
<td><a name="62"></a></td>
</tr>
<tr>
<td>    The whole world stood:</td>
<td><a name="63"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    ‘What hast thou given us,</td>
<td><a name="64"></a></td>
</tr>
<tr>
<td>    Thou barren tree?</td>
<td align="right" valign="top"><span><a name="65"><em>       65</em></a></span></td>
</tr>
<tr>
<td>“Knowledge,” thou answerest? Thou hast set agape</td>
<td><a name="66"></a></td>
</tr>
<tr>
<td>The door of Knowledge only. Thy limbs ape</td>
<td><a name="67"></a></td>
</tr>
<tr>
<td>Some truth. We love thee not, nor love thy shape.</td>
<td><a name="68"></a></td>
</tr>
<tr>
<td>  Imposture, thus and thus</td>
<td><a name="69"></a></td>
</tr>
<tr>
<td>    We fashion thee.’</td>
<td align="right" valign="top"><span><a name="70"><em>       70</em></a></span></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    Sorely then handled it</td>
<td><a name="71"></a></td>
</tr>
<tr>
<td>    The gardener’s sons.</td>
<td><a name="72"></a></td>
</tr>
<tr>
<td>Strangely they built it newly, having cleft</td>
<td><a name="73"></a></td>
</tr>
<tr>
<td>Its being all asunder; stem bereft</td>
<td><a name="74"></a></td>
</tr>
<tr>
<td>Of quivering limbs, save one to right and left,</td>
<td align="right" valign="top"><span><a name="75"><em>       75</em></a></span></td>
</tr>
<tr>
<td>  Urging the self-same wit</td>
<td><a name="76"></a></td>
</tr>
<tr>
<td>    It gave them once.</td>
<td><a name="77"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    Lo! all my glories fall.</td>
<td><a name="78"></a></td>
</tr>
<tr>
<td>    Of these my woes,</td>
<td><a name="79"></a></td>
</tr>
<tr>
<td>What know those wrathful men, save, in yon place,</td>
<td align="right" valign="top"><span><a name="80"><em>       80</em></a></span></td>
</tr>
<tr>
<td>Perhaps, yon athlete, stripped for my embrace?</td>
<td><a name="81"></a></td>
</tr>
<tr>
<td>If longing cheat me not, writ in his face,</td>
<td><a name="82"></a></td>
</tr>
<tr>
<td>  He knows about it all,</td>
<td><a name="83"></a></td>
</tr>
<tr>
<td>    He knows, he knows.</td>
<td><a name="84"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>    ‘Sorrow! What sin they now,</td>
<td align="right" valign="top"><span><a name="85"><em>       85</em></a></span></td>
</tr>
<tr>
<td>    Those wrathful men?</td>
<td><a name="86"></a></td>
</tr>
<tr>
<td>Passion! thou’rt come to me again too soon:</td>
<td><a name="87"></a></td>
</tr>
<tr>
<td>Too hot thou givst me back the fiery boon</td>
<td><a name="88"></a></td>
</tr>
<tr>
<td>I gave thee; love consumes me, that I swoon;</td>
<td><a name="89"></a></td>
</tr>
<tr>
<td>  Thou, on my topmost bough,</td>
<td align="right" valign="top"><span><a name="90"><em>       90</em></a></span></td>
</tr>
<tr>
<td>    My fruit again.’</td>
</tr>
</tbody>
</table>
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		</item>
		<item>
		<title>Bengalaru, India, City Ruins 1</title>
		<link>http://www.brash.us/site/archives/166</link>
		<comments>http://www.brash.us/site/archives/166#comments</comments>
		<pubDate>Mon, 07 Jun 2010 22:58:40 +0000</pubDate>
		<dc:creator>Corvis777</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.brash.us/site/?p=166</guid>
		<description><![CDATA[John Keats (1795–1821).  The Poetical Works of John Keats.  1884.   28. On the Grasshopper and Cricket     THE POETRY of earth is never dead:   When all the birds are faint with the hot sun,   And hide in cooling trees, a voice will run From hedge to hedge about the new-mown mead; That is the Grasshopper’s—he takes ...]]></description>
			<content:encoded><![CDATA[<table border="0" cellspacing="2" cellpadding="0" width="601" align="center" bgcolor="#ffffff">
<tbody>
<tr>
<td align="center">John Keats <span>(1795–1821).</span>  The Poetical Works of John Keats.  <span>1884.</span></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td align="center"><span style="color: #9c9c63; font-size: xx-small;"><strong>28. On the Grasshopper and Cricket</strong></span></td>
</tr>
<tr>
<td> </td>
</tr>
<p><!-- END CHAPTERTITLE --></tbody>
</table>
<table border="0" cellspacing="0" cellpadding="3" width="601" align="center" bgcolor="#ffffff">
<tbody>
<tr>
<td>
<table cellspacing="0" cellpadding="0" align="center"><!-- BEGIN CHAPTER --></p>
<tbody>
<tr>
<td> </td>
</tr>
<tr>
<td>T<span>HE POETRY</span> of earth is never dead:</td>
<td><a name="1"></a></td>
</tr>
<tr>
<td>  When all the birds are faint with the hot sun,</td>
<td><a name="2"></a></td>
</tr>
<tr>
<td>  And hide in cooling trees, a voice will run</td>
<td><a name="3"></a></td>
</tr>
<tr>
<td>From hedge to hedge about the new-mown mead;</td>
<td><a name="4"></a></td>
</tr>
<tr>
<td>That is the Grasshopper’s—he takes the lead</td>
<td align="right" valign="top"><span><a name="5"><em>        5</em></a></span></td>
</tr>
<tr>
<td>  In summer luxury,—he has never done</td>
<td><a name="6"></a></td>
</tr>
<tr>
<td>  With his delights; for when tired out with fun</td>
<td><a name="7"></a></td>
</tr>
<tr>
<td>He rests at ease beneath some pleasant weed.</td>
<td><a name="8"></a></td>
</tr>
<tr>
<td>The poetry of earth is ceasing never:</td>
<td><a name="9"></a></td>
</tr>
<tr>
<td>  On a lone winter evening, when the frost</td>
<td align="right" valign="top"><span><a name="10"><em>        10</em></a></span></td>
</tr>
<tr>
<td>    Has wrought a silence, from the stove there shrills</td>
<td><a name="11"></a></td>
</tr>
<tr>
<td>The Cricket’s song, in warmth increasing ever,</td>
<td><a name="12"></a></td>
</tr>
<tr>
<td>  And seems to one in drowsiness half lost,</td>
<td><a name="13"></a></td>
</tr>
<tr>
<td>    The Grasshopper’s among some grassy hills.</p>
<div><em>December 30, 1816.</em></div>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
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		</item>
		<item>
		<title>Heidelberg Germany, River View to Town</title>
		<link>http://www.brash.us/site/archives/163</link>
		<comments>http://www.brash.us/site/archives/163#comments</comments>
		<pubDate>Mon, 07 Jun 2010 22:48:05 +0000</pubDate>
		<dc:creator>Corvis777</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.brash.us/site/?p=163</guid>
		<description><![CDATA[Robert Browning (1812–1889).  A Blot in the ’Scutcheon. The Harvard Classics.  1909–14.   Act I   Scene I     The Interior of a Lodge in Lord Tresham’s Park. Many Retainers crowded at the window, supposed to command a view of the entrance to his Mansion.   GERARD, the Warrener, his back to a table on which are ...]]></description>
			<content:encoded><![CDATA[<table border="0" cellspacing="2" cellpadding="0" width="601" align="center" bgcolor="#ffffff">
<tbody>
<tr>
<td align="center">Robert Browning <span>(1812–1889).</span>  A Blot in the ’Scutcheon.<br />
The Harvard Classics.  <span>1909–14.</span></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td align="center"><span style="color: #9c9c63; font-size: xx-small;"><strong>Act I</strong></span></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td align="center"><span style="color: #9c9c63; font-size: xx-small;"><strong>Scene I</strong></span></td>
</tr>
<tr>
<td> </td>
</tr>
<p><!-- END CHAPTERTITLE --></tbody>
</table>
<table border="0" cellspacing="0" cellpadding="3" width="601" align="center" bgcolor="#ffffff"><!-- BEGIN CHAPTER --></p>
<tbody>
<tr>
<td> </td>
</tr>
<tr>
<td>
<div><em>The Interior of a Lodge in</em> Lord Tresham’s <em>Park.</em> Many Retainers <em>crowded at the window, supposed to command a view of the entrance to his Mansion.</em></div>
</td>
<td><a name="1"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>
<div>G<span>ERARD,</span> <em>the Warrener, his back to a table on which are flagons, etc.</em></div>
</td>
<td><a name="2"></a></td>
</tr>
<tr>
<td> </td>
</tr>
<tr>
<td>  <em>First Retainer</em><br />
A<span>Y,</span> do! push, friends, and then you’ll push down me!</td>
<td><a name="3"></a></td>
</tr>
<tr>
<td>—What for? Does any hear a runner’s foot</td>
<td><a name="4"></a></td>
</tr>
<tr>
<td>Or a steed’s trample or a coach-wheel’s cry?</td>
<td align="right" valign="top"><span><a name="5"><em>        5</em></a></span></td>
</tr>
<tr>
<td>Is the Earl come or his least poursuivant?</td>
<td><a name="6"></a></td>
</tr>
<tr>
<td>But there’s no breeding in a man of you</td>
<td><a name="7"></a></td>
</tr>
<tr>
<td>Save Gerard yonder: here’s a half-place yet,</td>
<td><a name="8"></a></td>
</tr>
<tr>
<td>Old Gerard!</td>
<td><a name="9"></a></td>
</tr>
<tr>
<td>  <em>Gerard.</em>  Save your courtesies, my friend. Here is my place.</td>
<td align="right" valign="top"><span><a name="10"><em>        10</em></a></span></td>
</tr>
<tr>
<td>  <em>Second Retainer.</em>  Now, Gerard, out with it!</td>
<td><a name="11"></a></td>
</tr>
<tr>
<td>What makes you sullen, this of all the days</td>
<td><a name="12"></a></td>
</tr>
<tr>
<td>I’ the year? To-day that young rich bountiful</td>
<td><a name="13"></a></td>
</tr>
<tr>
<td>Handsome Earl Mertoun, whom alone they match</td>
<td><a name="14"></a></td>
</tr>
<tr>
<td>With our Lord Tresham through the country-side,</td>
<td align="right" valign="top"><span><a name="15"><em>        15</em></a></span></td>
</tr>
<tr>
<td>Is coming here in utmost bravery</td>
<td><a name="16"></a></td>
</tr>
<tr>
<td>To ask our master’s sister’s hand?</td>
<td><a name="17"></a></td>
</tr>
<tr>
<td>  <em>Gerard.</em>                What then?</td>
<td><a name="18"></a></td>
</tr>
<tr>
<td>  <em>Second Retainer.</em>  What then? Why, you, she speaks to, if she meets</td>
<td><a name="19"></a></td>
</tr>
<tr>
<td>Your worship, smiles on as you hold apart</td>
<td align="right" valign="top"><span><a name="20"><em>        20</em></a></span></td>
</tr>
<tr>
<td>The boughs to let her through her forest walks,</td>
<td><a name="21"></a></td>
</tr>
<tr>
<td>You, always favourite for your no-deserts,</td>
<td><a name="22"></a></td>
</tr>
<tr>
<td>You’ve heard, these three days, how Earl Mertoun sues</td>
<td><a name="23"></a></td>
</tr>
<tr>
<td>To lay his heart and house and broad lands too</td>
<td><a name="24"></a></td>
</tr>
<tr>
<td>At Lady Mildred’s feet: and while we squeeze</td>
<td align="right" valign="top"><span><a name="25"><em>        25</em></a></span></td>
</tr>
<tr>
<td>Ourselves into a mousehole lest we miss</td>
<td><a name="26"></a></td>
</tr>
<tr>
<td>One congee of the least page in his train,</td>
<td><a name="27"></a></td>
</tr>
<tr>
<td>You sit ’o one side—“there’s the Earl,” say I—</td>
<td><a name="28"></a></td>
</tr>
<tr>
<td>“What then?” say you!</td>
<td><a name="29"></a></td>
</tr>
<tr>
<td>  <em>Third Retainer.</em>                I’ll wager he has let</td>
<td align="right" valign="top"><span><a name="30"><em>        30</em></a></span></td>
</tr>
<tr>
<td>Both swans he tamed for Lady Mildred swim</td>
<td><a name="31"></a></td>
</tr>
<tr>
<td>Over the falls and gain the river!</td>
<td><a name="32"></a></td>
</tr>
<tr>
<td>  <em>Gerard.</em>                Ralph,</td>
<td><a name="33"></a></td>
</tr>
<tr>
<td>Is not to-morrow my inspecting-day</td>
<td><a name="34"></a></td>
</tr>
<tr>
<td>For you and for your hawks?</td>
<td align="right" valign="top"><span><a name="35"><em>        35</em></a></span></td>
</tr>
<tr>
<td>  <em>Fourth Retainer.</em>                Let Gerard be!</td>
<td><a name="36"></a></td>
</tr>
<tr>
<td>He’s coarse-grained, like his carved black cross-bow stock.</td>
<td><a name="37"></a></td>
</tr>
<tr>
<td>Ha, look now, while we squabble with him, look!</td>
<td><a name="38"></a></td>
</tr>
<tr>
<td>Well done, now—is not this beginning, now,</td>
<td><a name="39"></a></td>
</tr>
<tr>
<td>To purpose?</td>
<td align="right" valign="top"><span><a name="40"><em>        40</em></a></span></td>
</tr>
<tr>
<td>  <em>First Retainer.</em>            Our retainers look as fine—</td>
<td><a name="41"></a></td>
</tr>
<tr>
<td>That’s comfort. Lord, how Richard holds himself</td>
<td><a name="42"></a></td>
</tr>
<tr>
<td>With his white staff! Will not a knave behind</td>
<td><a name="43"></a></td>
</tr>
<tr>
<td>Prick him upright?</td>
<td><a name="44"></a></td>
</tr>
<tr>
<td>  <em>Fourth Retainer.</em>  He’s only bowing, fool!</td>
<td align="right" valign="top"><span><a name="45"><em>        45</em></a></span></td>
</tr>
<tr>
<td>The Earl’s man bent us lower by this much.</td>
<td><a name="46"></a></td>
</tr>
<tr>
<td>  <em>First Retainer.</em>  That’s comfort. Here’s a very cavalcade!</td>
<td><a name="47"></a></td>
</tr>
<tr>
<td>  <em>Third Retainer.</em>  I don’t see wherefore Richard, and his troop</td>
<td><a name="48"></a></td>
</tr>
<tr>
<td>Of silk and silver varlets there, should find</td>
<td><a name="49"></a></td>
</tr>
<tr>
<td>Their perfumed selves so indispensable</td>
<td align="right" valign="top"><span><a name="50"><em>        50</em></a></span></td>
</tr>
<tr>
<td>On high days, holidays! Would it so disgrace</td>
<td><a name="51"></a></td>
</tr>
<tr>
<td>Our family, if I, for instance, stood—</td>
<td><a name="52"></a></td>
</tr>
<tr>
<td>In my right hand a cast of Swedish hawks,</td>
<td><a name="53"></a></td>
</tr>
<tr>
<td>A leash of greyhounds in my left?—</td>
<td><a name="54"></a></td>
</tr>
<tr>
<td>  <em>Gerard.</em>                —With Hugh</td>
<td align="right" valign="top"><span><a name="55"><em>        55</em></a></span></td>
</tr>
<tr>
<td>The logman for supporter, in his right</td>
<td><a name="56"></a></td>
</tr>
<tr>
<td>The bill-hook, in his left the brushwood-shears!</td>
<td><a name="57"></a></td>
</tr>
<tr>
<td>  <em>Third Retainer.</em>  Out on you, crab! What next, what next? The Earl!</td>
<td><a name="58"></a></td>
</tr>
<tr>
<td>  <em>First Retainer.</em>  Oh Walter, groom, our horses, do they match.</td>
<td><a name="59"></a></td>
</tr>
<tr>
<td>The Earl’s? Alas, that first pair of the six—</td>
<td align="right" valign="top"><span><a name="60"><em>        60</em></a></span></td>
</tr>
<tr>
<td>They paw the ground—Ah Walter! and that brute</td>
<td><a name="61"></a></td>
</tr>
<tr>
<td>Just on his haunches by the wheel!</td>
<td><a name="62"></a></td>
</tr>
<tr>
<td>  <em>Sixth Retainer.</em>                Ay—ay!</td>
<td><a name="63"></a></td>
</tr>
<tr>
<td>You, Philip, are a special hand, I hear,</td>
<td><a name="64"></a></td>
</tr>
<tr>
<td>At soups and sauces: what’s a horse to you</td>
<td align="right" valign="top"><span><a name="65"><em>        65</em></a></span></td>
</tr>
<tr>
<td>D’ye mark that beast they’ve slid into the midst</td>
<td><a name="66"></a></td>
</tr>
<tr>
<td>So cunningly?—then, Philip, mark this further;</td>
<td><a name="67"></a></td>
</tr>
<tr>
<td>No leg has he to stand on!</td>
<td><a name="68"></a></td>
</tr>
<tr>
<td>  <em>First Retainer.</em>                No? that’s comfort.</td>
<td><a name="69"></a></td>
</tr>
<tr>
<td>  <em>Second Retainer.</em>  Peace, Cook! The Earl descends. Well, Gerard, see</td>
<td align="right" valign="top"><span><a name="70"><em>        70</em></a></span></td>
</tr>
<tr>
<td>The Earl at least! Come, there’s a proper man,</td>
<td><a name="71"></a></td>
</tr>
<tr>
<td>I hope! Why, Ralph, no falcon, Pole or Swede,</td>
<td><a name="72"></a></td>
</tr>
<tr>
<td>Has got a starrier eye.</td>
<td><a name="73"></a></td>
</tr>
<tr>
<td>  <em>Third Retainer.</em>                His eyes are blue:</td>
<td><a name="74"></a></td>
</tr>
<tr>
<td>But leave my hawks alone!</td>
<td align="right" valign="top"><span><a name="75"><em>        75</em></a></span></td>
</tr>
<tr>
<td>  <em>Fourth Retainer.</em>                So young, and yet</td>
<td><a name="76"></a></td>
</tr>
<tr>
<td>So tall and shapely!</td>
<td><a name="77"></a></td>
</tr>
<tr>
<td>  <em>Fifth Retainer.</em>  Here’s Lord Tresham’s self!</td>
<td><a name="78"></a></td>
</tr>
<tr>
<td>There now—there’s what a nobleman should be!</td>
<td><a name="79"></a></td>
</tr>
<tr>
<td>He’s older, graver, loftier, he’s more like</td>
<td align="right" valign="top"><span><a name="80"><em>        80</em></a></span></td>
</tr>
<tr>
<td>A House’s head.</td>
<td><a name="81"></a></td>
</tr>
<tr>
<td>  <em>Second Retainer.</em>  But you’d not have a boy</td>
<td><a name="82"></a></td>
</tr>
<tr>
<td>—And what’s the Earl beside?—possess too soon</td>
<td><a name="83"></a></td>
</tr>
<tr>
<td>That stateliness?</td>
<td><a name="84"></a></td>
</tr>
<tr>
<td>  <em>First Retainer.</em>  Our master takes his hand—</td>
<td align="right" valign="top"><span><a name="85"><em>        85</em></a></span></td>
</tr>
<tr>
<td>Richard and his white staff are on the move—</td>
<td><a name="86"></a></td>
</tr>
<tr>
<td>Back fall our people—(tsh!—there’s Timothy</td>
<td><a name="87"></a></td>
</tr>
<tr>
<td>Sure to get tangled in his ribbon-ties,</td>
<td><a name="88"></a></td>
</tr>
<tr>
<td>And Peter’s cursed rosette’s a-coming off!)</td>
<td><a name="89"></a></td>
</tr>
<tr>
<td>—At last I see our lord’s back and his friend’s;</td>
<td align="right" valign="top"><span><a name="90"><em>        90</em></a></span></td>
</tr>
<tr>
<td>And the whole beautiful bright company</td>
<td><a name="91"></a></td>
</tr>
<tr>
<td>Close round them—in they go!  [<em>Jumping down from the window-bench, and making for the table and its jugs.</em>] Good health, long life,</td>
<td><a name="92"></a></td>
</tr>
<tr>
<td>Great joy to our Lord Tresham and his House!</td>
<td><a name="93"></a></td>
</tr>
<tr>
<td>  <em>Sixth Retainer.</em>  My father drove his father first to court,</td>
<td><a name="94"></a></td>
</tr>
<tr>
<td>After his marriage-day—ay, did he!</td>
<td align="right" valign="top"><span><a name="95"><em>        95</em></a></span></td>
</tr>
<tr>
<td>  <em>Second Retainer.</em>                God bless</td>
<td><a name="96"></a></td>
</tr>
<tr>
<td>Lord Tresham, Lady Mildred, and the Earl!</td>
<td><a name="97"></a></td>
</tr>
<tr>
<td>Here, Gerard, reach your beaker!</td>
<td><a name="98"></a></td>
</tr>
<tr>
<td>  <em>Gerard.</em>                Drink, my boys!</td>
<td><a name="99"></a></td>
</tr>
<tr>
<td>Don’t mind me—all’s not right about me—drink!</td>
<td align="right" valign="top"><span><a name="100"><em>        100</em></a></span></td>
</tr>
<tr>
<td>  <em>Second Retainer</em>  [<em>aside</em>]. He’s vexed, now, that he let the show escape!</td>
<td><a name="101"></a></td>
</tr>
<tr>
<td>[<em>To</em> G<span>ERARD.</span>]  Remember that the Earl returns this way.</td>
<td><a name="102"></a></td>
</tr>
<tr>
<td>  <em>Gerard.</em>  That way?</td>
<td><a name="103"></a></td>
</tr>
<tr>
<td>  <em>Second Retainer.</em>  Just so.</td>
<td><a name="104"></a></td>
</tr>
<tr>
<td>  <em>Gerard.</em>          Then my way’s here.  [<em>Goes.</em></td>
<td align="right" valign="top"><span><a name="105"><em>        105</em></a></span></td>
</tr>
<tr>
<td>  <em>Second Retainer.</em>                Old Gerard</td>
<td><a name="106"></a></td>
</tr>
<tr>
<td>Will die soon—mind, I said it! He was used</td>
<td><a name="107"></a></td>
</tr>
<tr>
<td>To care about the pitifullest thing</td>
<td><a name="108"></a></td>
</tr>
<tr>
<td>That touched the House’s honour, not an eye</td>
<td><a name="109"></a></td>
</tr>
<tr>
<td>But his could see wherein: and on a cause</td>
<td align="right" valign="top"><span><a name="110"><em>        110</em></a></span></td>
</tr>
<tr>
<td>Of scarce a quarter this importance, Gerard</td>
<td><a name="111"></a></td>
</tr>
<tr>
<td>Fairly had fretted flesh and bone away</td>
<td><a name="112"></a></td>
</tr>
<tr>
<td>In cares that this was right, nor that was wrong,</td>
<td><a name="113"></a></td>
</tr>
<tr>
<td>Such point decorous, and such square by rule—</td>
<td><a name="114"></a></td>
</tr>
<tr>
<td>He knew such niceties, no herald more:</td>
<td align="right" valign="top"><span><a name="115"><em>        115</em></a></span></td>
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<td>And now—you see his humour: die he will!</td>
<td><a name="116"></a></td>
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<td>  <em>Second Retainer.</em>  God help him! Who’s for the great servants’ hall</td>
<td><a name="117"></a></td>
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<td>To hear what’s going on inside! They’d follow</td>
<td><a name="118"></a></td>
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<td>Lord Tresham into the saloon.</td>
<td><a name="119"></a></td>
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<td>  <em>Third Retainer.</em>                I!—</td>
<td align="right" valign="top"><span><a name="120"><em>        120</em></a></span></td>
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<td>  <em>Fourth Retainer.</em>                I!—</td>
<td><a name="121"></a></td>
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<td>Leave Frank alone for catching, at the door,</td>
<td><a name="122"></a></td>
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<td>Some hint of how the parley goes inside!</td>
<td><a name="123"></a></td>
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<td>Prosperity to the great House once more!</td>
<td><a name="124"></a></td>
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<td>Here’s the last drop!</td>
<td align="right" valign="top"><span><a name="125"><em>        125</em></a></span></td>
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<td>  <em>First Retainer.</em>                Have at you! Boys, hurrah!</td>
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		<title>Heidelberg Germany, Street View to Mountain</title>
		<link>http://www.brash.us/site/archives/160</link>
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		<pubDate>Mon, 07 Jun 2010 22:08:37 +0000</pubDate>
		<dc:creator>Corvis777</dc:creator>
				<category><![CDATA[Photography]]></category>

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		<description><![CDATA[T.S. Eliot (1888–1965).  The Sacred Wood: Essays on Poetry and Criticism.  1922. Blake I IF one follow Blake&#8217;s mind through the several stages of his poetic development it is impossible to regard him as a naïf, a wild man, a wild pet for the supercultivated. The strangeness is evaporated, the peculiarity is seen to be the peculiarity of ...]]></description>
			<content:encoded><![CDATA[<p>T.S. Eliot <span>(1888–1965).</span>  The Sacred Wood: Essays on Poetry and Criticism.  <span>1922.</span></p>
<p><span style="font-size: x-small;"><strong>Blake</strong></span></p>
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<td><span style="font-size: xx-small;">I</span><br />
I<span>F</span> one follow Blake&#8217;s mind through the several stages of his poetic development it is impossible to regard him as a naïf, a wild man, a wild pet for the supercultivated. The strangeness is evaporated, the peculiarity is seen to be the peculiarity of all great poetry: something which is found (not everywhere) in Homer and Æschylus and Dante and Villon, and profound and concealed in the work of Shakespeare—and also in another form in Montaigne and in Spinoza. It is merely a peculiar honesty, which, in a world too frightened to be honest, is peculiarly terrifying. It is an honesty against which the whole world conspires, because it is unpleasant. Blake&#8217;s poetry has the unpleasantness of great poetry. Nothing that can be called morbid or abnormal or perverse, none of the things which exemplify the sickness of an epoch or a fashion, have this quality; only those things which, by some extraordinary labour of simplification, exhibit the essential sickness or strength of the human soul. And this honesty never exists without great technical accomplishment. The question about Blake the man is the question of the circumstances that concurred to permit this honesty in his work, and what circumstances define its limitations. The favouring conditions probably include these two: that, being early apprenticed to a manual occupation, he was not compelled to acquire any other education in literature than he wanted, or to acquire it for any other reason than that he wanted it; and that, being a humble engraver, he had no journalistic-social career open to him.</td>
<td align="right" valign="top"><span><a name="1"><em>   1</em></a></span></td>
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<td>  There was, that is to say, nothing to distract him from his interests or to corrupt these interests: neither the ambitions of parents or wife, nor the standards of society, nor the temptations of success; nor was he exposed to imitation of himself or of anyone else. These circumstances—not his supposed inspired and untaught spontaneity—are what make him innocent. His early poems show what the poems of a boy of genius ought to show, immense power of assimilation. Such early poems are not, as usually supposed, crude attempts to do something beyond the boy&#8217;s capacity; they are, in the case of a boy of real promise, more likely to be quite mature and successful attempts to do something small. So with Blake, his early poems are technically admirable, and their originality is in an occasional rhythm. The verse of <em>Edward III</em> deserves study. But his affection for certain Elizabethans is not so surprising as his affinity with the very best work of his own century. He is very like Collins, he is very eighteenth century. The poem <em>Whether on Ida&#8217;s shady brow</em> is eighteenth-century work; the movement, the weight of it, the syntax, the choice of words—</p>
<blockquote><p>The <em>languid</em> strings do scarcely move!<br />
The sound is <em>forc&#8217;d,</em> the notes are few!</p></blockquote>
<p>this is contemporary with Gray and Collins, it is the poetry of a language which has undergone the discipline of prose. Blake up to twenty is decidedly a traditional.</td>
<td align="right" valign="top"><span><a name="2"><em>2</em></a></span></td>
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<td>  Blake&#8217;s beginnings as a poet, then, are as normal as the beginnings of Shakespeare. His method of composition, in his mature work, is exactly like that of other poets. He has an idea (a feeling, an image), he develops it by accretion or expansion, alters his verse often, and hesitates often over the final <a name="/200/sw13.htmltxt1">choice</a>. <a href="/200/sw13.html#note1">1</a> The idea, of course, simply comes, but upon arrival it is subjected to prolonged manipulation. In the first phase Blake is concerned with verbal beauty; in the second he becomes the apparent naïf, really the mature intelligence. It is only when the ideas become more automatic, come more freely and are less manipulated, that we begin to suspect their origin, to suspect that they spring from a shallower source.</td>
<td align="/200/sw13.htmlright" valign="/200/sw13.htmltop"><span style="font-size: small;"><a name="/200/sw13.html3"><em>3</em></a></span></td>
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<td>  The Songs of Innocence and of Experience, and the poems from the Rossetti manuscript, are the poems of a man with a profound interest in human emotions, and a profound knowledge of them. The emotions are presented in an extremely simplified, abstract form. This form is one illustration of the eternal struggle of art against education, of the literary artist against the continuous deterioration of language.</td>
<td align="right" valign="top"><span><a name="4"><em>4</em></a></span></td>
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<td>  It is important that the artist should be highly educated in his own art; but his education is one that is hindered rather than helped by the ordinary processes of society which constitute education for the ordinary man. For these processes consist largely in the acquisition of impersonal ideas which obscure what we really are and feel, what we really want, and what really excites our interest. It is of course not the actual information acquired, but the conformity which the accumulation of knowledge is apt to impose, that is harmful. Tennyson is a very fair example of a poet almost wholly encrusted with parasitic opinion, almost wholly merged into his environment. Blake, on the other hand, knew what interested him, and he therefore presents only the essential, only, in fact, what can be presented, and need not be explained. And because he was not distracted, or frightened, or occupied in anything but exact statement, he understood. He was naked, and saw man naked, and from the centre of his own crystal. To him there was no more reason why Swedenborg should be absurd than Locke. He accepted Swedenborg, and eventually rejected him, for reasons of his own. He approached everything with a mind unclouded by current opinions. There was nothing of the superior person about him. This makes him terrifying.</td>
<td align="right" valign="top"><span><a name="5"><em>5</em></a></span></td>
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<td>
<span style="font-size: xx-small;">II</span><br />
  But if there was nothing to distract him from sincerity there were, on the other hand, the dangers to which the naked man is exposed. His philosophy, like his visions, like his insight, like his technique, was his own. And accordingly he was inclined to attach more importance to it than an artist should; this is what makes him eccentric, and makes him inclined to formlessness.</p>
<blockquote><p>But most through midnight streets I hear<br />
How the youthful harlot&#8217;s curse<br />
Blasts the new-born infant&#8217;s tear,<br />
And blights with plagues the marriage hearse,</p></blockquote>
<p>is the naked vision;</p>
<blockquote><p>Love seeketh only self to please,<br />
To bind another to its delight,<br />
Joys in another&#8217;s loss of ease,<br />
And builds a Hell in Heaven&#8217;s despite,</p></blockquote>
<p>is the naked observation; and <em>The Marriage of Heaven and Hell</em> is naked philosophy, presented. But Blake&#8217;s occasional marriages of poetry and philosophy are not so felicitous.</p>
<blockquote><p>He who would do good to another must do it in Minute Particulars.<br />
General Good is the plea of the scoundrel, hypocrite, and flatterer;<br />
For Art and Science cannot exist but in minutely organized particulars&#8230;.</p></blockquote>
<p>One feels that the form is not well chosen. The borrowed philosophy of Dante and Lucretius is perhaps not so interesting, but it injures their form less. Blake did not have that more Mediterranean gift of form which knows how to borrow as Dante borrowed his theory of the soul; he must needs create a philosophy as well as a poetry. A similar formlessness attacks his draughtsmanship. The fault is most evident, of course, in the longer poems—or rather, the poems in which structure is important. You cannot create a very large poem without introducing a more impersonal point of view, or splitting it up into various personalities. But the weakness of the long poems is certainly not that they are too visionary, too remote from the world. It is that Blake did not see enough, became too much occupied with ideas.</td>
<td align="right" valign="top"><span><a name="6"><em>6</em></a></span></td>
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<td>  We have the same respect for Blake&#8217;s philosophy (and perhaps for that of Samuel Butler) that we have for an ingenious piece of home-made furniture: we admire the man who has put it together out of the odds and ends about the house. England has produced a fair number of these resourceful Robinson Crusoes; but we are not really so remote from the Continent, or from our own past, as to be deprived of the advantages of culture if we wish them.</td>
<td align="right" valign="top"><span><a name="7"><em>7</em></a></span></td>
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<td>  We may speculate, for amusement, whether it would not have been beneficial to the north of Europe generally, and to Britain in particular, to have had a more continuous religious history. The local divinities of Italy were not wholly exterminated by Christianity, and they were not reduced to the dwarfish fate which fell upon our trolls and pixies. The latter, with the major Saxon deities, were perhaps no great loss in themselves, but they left an empty place; and perhaps our mythology was further impoverished by the divorce from Rome. Milton&#8217;s celestial and infernal regions are large but insufficiently furnished apartments filled by heavy conversation; and one remarks about the Puritan mythology an historical thinness. And about Blake&#8217;s supernatural territories, as about the supposed ideas that dwell there, we cannot help commenting on a certain meanness of culture. They illustrate the crankiness, the eccentricity, which frequently affects writers outside of the Latin traditions, and which such a critic as Arnold should certainly have rebuked. And they are not essential to Blake&#8217;s inspiration.</td>
<td align="right" valign="top"><span><a name="8"><em>8</em></a></span></td>
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<td>  Blake was endowed with a capacity for considerable understanding of human nature, with a remarkable and original sense of language and the music of language, and a gift of hallucinated vision. Had these been controlled by a respect for impersonal reason, for common sense, for the objectivity of science, it would have been better for him. What his genius required, and what it sadly lacked, was a framework of accepted and traditional ideas which would have prevented him from indulging in a philosophy of his own, and concentrated his attention upon the problems of the poet. Confusion of thought, emotion, and vision is what we find in such a work as <em>Also Sprach Zarathustra;</em> it is eminently not a Latin virtue. The concentration resulting from a framework of mythology and theology and philosophy is one of the reasons why Dante is a classic, and Blake only a poet of genius. The fault is perhaps not with Blake himself, but with the environment which failed to provide what such a poet needed; perhaps the circumstances compelled him to fabricate, perhaps the poet required the philosopher and mythologist; although the conscious Blake may have been quite unconscious of the motives.</td>
<td align="right" valign="top"><span><a name="9"><em>9</em></a></span></td>
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<hr />
<dl>
<dt><a name="note1"><strong>Note 1</strong></a> </dt>
<dd>I do not know why M. Berger should say, without qualification, in his <em>William Blake: mysticisme et poésie,</em> that &#8220;son respect pour l&#8217;esprit qui soufflait en lui et qui dictait ses paroles l&#8217;empêchait de les corriger jamais.&#8221; Dr. Sampson, in his Oxford Edition of Blake, gives us to understand that Blake believed much of his writing to be automatic, but observes that Blake&#8217;s &#8220;meticulous care in composition is everywhere apparent in the poems preserved in rough draft &#8230; alteration on alteration, rearrangement after rearrangement, deletions, additions, and inversions&#8230;.&#8221; [<a href="/200/sw13.html#txt1">back</a>] </dd>
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		<title>CorneliusJapan.com</title>
		<link>http://www.brash.us/site/archives/158</link>
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		<pubDate>Mon, 07 Jun 2010 20:33:41 +0000</pubDate>
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		<title>Lufthansa Airlines, View Over Greenland</title>
		<link>http://www.brash.us/site/archives/154</link>
		<comments>http://www.brash.us/site/archives/154#comments</comments>
		<pubDate>Mon, 07 Jun 2010 20:05:11 +0000</pubDate>
		<dc:creator>Corvis777</dc:creator>
				<category><![CDATA[Photography]]></category>

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		<description><![CDATA[Stevenson, Robert Louis (1850–1894).  The Master of Ballantrae.  1889.    XI. The Journey in the Wilderness. WE made a prosperous voyage up that fine river of the Hudson, the weather grateful, the hills singularly beautified with the colours of the autumn. At Albany we had our residence at an inn, where I was not so blind and my lord ...]]></description>
			<content:encoded><![CDATA[<table border="0" cellspacing="2" cellpadding="0" width="601" align="center" bgcolor="#ffffff">
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<td align="center">Stevenson, Robert Louis <span>(1850–1894).</span>  The Master of Ballantrae.  <span>1889.</span></td>
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<td>  </td>
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<td align="center"><span style="color: #9c9c63; font-size: x-small;">XI. <strong>The Journey in the Wilderness.</strong></span></td>
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<p><!-- END CHAPTERTITLE --></tbody>
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<table border="0" cellspacing="2" cellpadding="2" width="601" align="center" bgcolor="#ffffff"><!-- BEGIN CHAPTER --></p>
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<td>W<span>E</span> made a prosperous voyage up that fine river of the Hudson, the weather grateful, the hills singularly beautified with the colours of the autumn. At Albany we had our residence at an inn, where I was not so blind and my lord not so cunning but what I could see he had some design to hold me prisoner. The work he found for me to do was not so pressing that we should transact it apart from necessary papers in the chamber of an inn; nor was it of such importance that I should be set upon as many as four or five scrolls of the same document. I submitted in appearance; but I took private measures on my own side, and had the news of the town communicated to me daily by the politeness of our host. In this way I received at last a piece of intelligence for which, I may say, I had been waiting. Captain Harris (I was told) with “Mr. Mountain, the trader,” had gone by up the river in a boat. I would have feared the landlord’s eye, so strong the sense of some complicity upon my master’s part oppressed me. But I made out to say I had some knowledge of the Captain, although none of Mr. Mountain, and to inquire who else was of the party. My informant knew not; Mr. Mountain had come ashore upon some needful purchases; had gone round the town buying, drinking, and prating; and it seemed the party went upon some likely venture, for he had spoken much of great things he would do when he returned. No more was known, for none of the rest had come ashore, and it seemed they were pressed for time to reach a certain spot before the snow should fall.</td>
<td align="right" valign="top"><span><a name="1"><em>   1</em></a></span></td>
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<td>  And sure enough, the next day, there fell a sprinkle even in Albany; but it passed as it came, and was but a reminder of what lay before us. I thought of it lightly then, knowing so little as I did of that inclement province: the retrospect is different; and I wonder at times if some of the horror of there events which I must now rehearse flowed not from the foul skies and savage winds to which we were exposed, and the agony of cold that we must suffer.</td>
<td align="right" valign="top"><span><a name="2"><em>   2</em></a></span></td>
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<td>  The boat having passed by, I thought at first we should have left the town. But no such matter. My lord continued his stay in Albany where he had no ostensible affairs, and kept me by him, far from my due employment, and making a pretence of occupation. It is upon this passage I expect, and perhaps deserve, censure. I was not so dull but what I had my own thoughts. I could not see the Master entrust himself into the hands of Harris, and not suspect some underhand contrivance. Harris bore a villainous reputation, and he had been tampered with in private by my lord; Mountain, the trader, proved, upon inquiry, to be another of the same kidney; the errand they were all gone upon being the recovery of ill-gotten treasures, offered in itself a very strong incentive to foul play; and the character of the country where they journeyed promised impunity to deeds of blood. Well: it is true I had all these thoughts and fears, and guesses of the Master’s fate. But you are to consider I was the same man that sought to dash him from the bulwarks of a ship in the mid-sea; the same that, a little before, very impiously but sincerely offered God a bargain, seeking to hire God to be my bravo. It is true again that I had a good deal melted towards our enemy. But this I always thought of as a weakness of the flesh and even culpable; my mind remaining steady and quite bent against him. True, yet again, that it was one thing to assume on my own shoulders the guilt and danger of a criminal attempt, and another to stand by and see my lord imperil and besmirch himself. But this was the very ground of my inaction. For (should I anyway stir in the business) I might fail indeed to save the Master, but I could not miss to make a byword of my lord.</td>
<td align="right" valign="top"><span><a name="3"><em>   3</em></a></span></td>
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<td>  Thus it was that I did nothing; and upon the same reasons, I am still strong to justify my course. We lived meanwhile in Albany, but though alone together in a strange place, had little traffic beyond formal salutations. My lord had carried with him several introductions to chief people of the town and neighbourhood; others he had before encountered in New York: with this consequence, that he went much abroad, and I am sorry to say was altogether too convivial in his habits. I was often in bed, but never asleep, when he returned; and there was scarce a night when he did not betray the influence of liquor. By day he would still lay upon me endless tasks, which he showed considerable ingenuity to fish up and renew, in the manner of Penelope’s web. I never refused, as I say, for I was hired to do his bidding; but I took no pains to keep my penetration under a bushel, and would sometimes smile in his face.</td>
<td align="right" valign="top"><span><a name="4"><em>   4</em></a></span></td>
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<td>  “I think I must be the devil and you Michael Scott,” I said to him one day. “I have bridged Tweed and split the Eildons; and now you set me to the rope of sand.”</td>
<td align="right" valign="top"><span><a name="5"><em>   5</em></a></span></td>
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<td>  He looked at me with shining eyes, and looked away again, his jaw chewing, but without words.</td>
<td align="right" valign="top"><span><a name="6"><em>   6</em></a></span></td>
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<td>  “Well, well, my lord,” said I, “your will is my pleasure. I will do this thing for the fourth time; but I would beg of you to invent another task against to-morrow, for by my troth, I am weary of this one.”</td>
<td align="right" valign="top"><span><a name="7"><em>   7</em></a></span></td>
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<td>  “You do not know what you are saying,” returned my lord, putting on his hat and turning his back to me. “It is a strange thing you should take a pleasure to annoy me. A friend—but that is a different affair. It is a strange thing. I am a man that has had ill-fortune all my life through. I am still surrounded by contrivances. I am always treading in plots,” he burst out. “The whole world is banded against me.”</td>
<td align="right" valign="top"><span><a name="8"><em>   8</em></a></span></td>
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<td>  “I would not talk wicked nonsense if I were you,” said I; “but I will tell you what I <em>would</em> do—I would put my head in cold water, for you had more last night than you could carry.”</td>
<td align="right" valign="top"><span><a name="9"><em>   9</em></a></span></td>
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<td>  “Do ye think that?” said he, with a manner of interest highly awakened. “Would that be good for me? It’s a thing I never tried.”</td>
<td align="right" valign="top"><span><a name="10"><em>  10</em></a></span></td>
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<td>  “I mind the days when you had no call to try, and I wish, my lord, that they were back again,” said I. “But the plain truth is, if you continue to exceed, you will do yourself a mischief.”</td>
<td align="right" valign="top"><span><a name="11"><em>  11</em></a></span></td>
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<td>  “I don’t appear to carry drink the way I used to,” said my lord. “I get overtaken, Mackellar. But I will be more upon my guard.”</td>
<td align="right" valign="top"><span><a name="12"><em>  12</em></a></span></td>
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<tr>
<td>  “That is what I would ask of you,” I replied. “You are to bear in mind that you are Mr. Alexander’s father: give the bairn a chance to carry his name with some responsibility.”</td>
<td align="right" valign="top"><span><a name="13"><em>  13</em></a></span></td>
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<td>  “Ay, ay,” said he. “Ye’re a very sensible man, Mackellar, and have been long in my employ. But I think, if you have nothing more to say to me I will be stepping. If you have nothing more to say?” he added, with that burning, childish eagerness that was now so common with the man.</td>
<td align="right" valign="top"><span><a name="14"><em>  14</em></a></span></td>
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<td>  “No, my lord, I have nothing more,” said I, dryly enough.</td>
<td align="right" valign="top"><span><a name="15"><em>  15</em></a></span></td>
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<td>  “Then I think I will be stepping,” says my lord, and stood and looked at me fidgeting with his hat, which he had taken off again. “I suppose you will have no errands? No? I am to meet Sir William Johnson, but I will be more upon my guard.” He was silent for a time, and then, smiling: “Do you call to mind a place, Mackellar—it’s a little below Engles—where the burn runs very deep under a wood of rowans. I mind being there when I was a lad—dear, it comes over me like an old song!—I was after the fishing, and I made a bonny cast. Eh, but I was happy. I wonder, Mackellar, why I am never happy now?”</td>
<td align="right" valign="top"><span><a name="16"><em>  16</em></a></span></td>
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<td>  “My lord,” said I, “if you would drink with more moderation you would have the better chance. It is an old byword that the bottle is a false consoler.”</td>
<td align="right" valign="top"><span><a name="17"><em>  17</em></a></span></td>
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<td>  “No doubt,” said he, “no doubt. Well, I think I will be going.”</td>
<td align="right" valign="top"><span><a name="18"><em>  18</em></a></span></td>
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<td>  “Good-morning, my lord,” said I.</td>
<td align="right" valign="top"><span><a name="19"><em>  19</em></a></span></td>
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<td>  “Good-morning, good-morning,” said he, and so got himself at last from the apartment.</td>
<td align="right" valign="top"><span><a name="20"><em>  20</em></a></span></td>
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<td>  I give that for a fair specimen of my lord in the morning; and I must have described my patron very ill if the reader does not perceive a notable falling off. To behold the man thus fallen: to know him accepted among his companions for a poor, muddled toper, welcome (if he were welcome at all) for the bare consideration of his title; and to recall the virtues he had once displayed against such odds of fortune; was not this a thing at once to rage and to be humbled at?</td>
<td align="right" valign="top"><span><a name="21"><em>  21</em></a></span></td>
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<td>  In his cups, he was more expensive. I will give but the one scene, close upon the end, which is strongly marked upon my memory to this day, and at the time affected me almost with horror</td>
<td align="right" valign="top"><span><a name="22"><em>  22</em></a></span></td>
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<td>  I was in bed, lying there awake, when I heard him stumbling on the stair and singing. My lord had no gift of music, his brother had all the graces of the family, so that when I say singing, you are to understand a manner of high, carolling utterance, which was truly neither speech nor song. Something not unlike is to be heard upon the lips of children, ere they learn shame; from those of a man grown elderly, it had a strange effect. He opened the door with noisy precaution; peered in, shading his candle; conceived me to slumber; entered, set his light upon the table, and took off his hat. I saw him very plain; a high, feverish exultation appeared to boil in his veins, and he stood and smiled and smirked upon the candle. Presently he lifted up his arm, snapped his fingers, and fell to undress. As he did so, having once more forgot my presence, he took back to his singing; and now I could hear the words, which were those from the old song of the <em>Twa Corbies</em> endlessly repeated:</p>
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<td>“And over his banes when they are bare</td>
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<td> </td>
<td>The wind sall blaw for evermair!”</td>
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<td align="right" valign="top"><span><a name="23"><em>  23</em></a></span></td>
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<td>  I have said there was no music in the man. His strains had no logical succession except in so far as they inclined a little to the minor mode; but they exercised a rude potency upon the feelings, and followed the words, and signified the feelings of the singer with barbaric fitness. He took it first in the time and manner of a rant; presently this ill-favoured gleefulness abated, he began to dwell upon the notes more feelingly, and sank at last into a degree of maudlin pathos that was to me scarce bearable. By equal steps, the original briskness of his acts declined; and when he was stripped to his breeches, he sat on the bedside and fell to whimpering. I know nothing less respectable than the tears of drunkenness, and turned my back impatiently on this poor sight.</td>
<td align="right" valign="top"><span><a name="24"><em>  24</em></a></span></td>
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<td>  But he had started himself (I am to suppose) on that slippery descent of self-pity; on the which, to a man unstrung by old sorrows and recent potations there is no arrest except exhaustion. His tears continued to flow, and the man to sit there, three parts naked, in the cold air of the chamber. I twitted myself alternately with inhumanity and sentimental weakness, now half rising in my bed to interfere, now reading myself lessons of indifference and courting slumber, until, upon a sudden, the <em>quantum mutatus ab illo</em> shot into my mind; and calling to remembrance his old wisdom, constancy, and patience, I was overborne with a pity almost approaching the passionate, not for my master alone but for the sons of man.</td>
<td align="right" valign="top"><span><a name="25"><em>  25</em></a></span></td>
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<td>  At this I leaped from my place, went over to his side and laid a hand on his bare shoulder, which was cold as stone. He uncovered his face and showed it me all swollen and begrutten<a name="txt1"> </a><a href="/1017/11.html#note1">1</a> like a child’s; and at the sight my impatience partially revived.</td>
<td align="right" valign="top"><span><a name="26"><em>  26</em></a></span></td>
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<td>  “Think shame to yourself,” said I. “This is bairnly conduct. I might have been snivelling myself, if I had cared to swill my belly with wine. But I went to my bed sober like a man. Come: get into yours, and have done with this pitiable exhibition.”</td>
<td align="right" valign="top"><span><a name="27"><em>  27</em></a></span></td>
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<td>  “Oh, Mackellar,” said he, “my heart is wae!”</td>
<td align="right" valign="top"><span><a name="28"><em>  28</em></a></span></td>
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<td>  “Wae?” cried I. “For a good cause, I think. What words were these you sang as you came in? Show pity to others, we then can talk of pity to yourself. You can be the one thing or the other, but I will be no party to half-way houses. If you’re a striker, strike, and if you’re a bleater, bleat!”</td>
<td align="right" valign="top"><span><a name="29"><em>  29</em></a></span></td>
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<td>  “Cry!” cries he, with a burst, “that’s it—strike! that’s talking! Man, I’ve stood it all too long. But when they laid a hand upon the child, when the child’s threatened”—his momentary vigour whimpering off—“my child, my Alexander!”—and he was at his tears again.</td>
<td align="right" valign="top"><span><a name="30"><em>  30</em></a></span></td>
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<td>  I took him by the shoulders and shook him. “Alexander!” said I. “Do you even think of him? Not you! Look yourself in the face like a brave man, and you’ll find you’re but a self-deceiver. The wife, the friend, the child, they’re all equally forgot, and you sunk in a mere log of selfishness.”</td>
<td align="right" valign="top"><span><a name="31"><em>  31</em></a></span></td>
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<td>  “Mackellar,” said he, with a wonderful return to his old manner and appearance, “you may say what you will of me, but one thing I never was—I was never selfish.”</td>
<td align="right" valign="top"><span><a name="32"><em>  32</em></a></span></td>
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<td>  “I will open your eyes in your despite,” said I. “How long have we been here? and how often have you written to your family? I think this is the first time you were ever separate: have you written at all? Do they know if you are dead or living?”</td>
<td align="right" valign="top"><span><a name="33"><em>  33</em></a></span></td>
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<td>  I had caught him here too openly; it braced his better nature; there was no more weeping, he thanked me very penitently, got to bed and was soon fast asleep; and the first thing he did the next morning was to sit down and begin a letter to my lady: a very tender letter it was too, though it was never finished. Indeed all communication with New York was transacted by myself; and it will be judged I had a thankless task of it. What to tell my lady and in what words, and how far to be false and how far cruel, was a thing that kept me often from my slumber.</td>
<td align="right" valign="top"><span><a name="34"><em>  34</em></a></span></td>
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<td>  All this while, no doubt, my lord waited with growing impatiency for news of his accomplices. Harris, it is to be thought, had promised a high degree of expedition; the time was already overpast when word was to be looked for; and suspense was a very evil counsellor to a man of an impaired intelligence. My lord’s mind throughout this interval dwelled almost wholly in the Wilderness, following that party with whose deeds he had so much concern. He continually conjured up their camps and progresses, the fashion of the country, the perpetration in a thousand different manners of the same horrid fact, and that consequent spectacle of the Master’s bones lying scattered in the wind. These private, guilty considerations I would continually observe to peep forth in the man’s talk, like rabbits from a hill. And it is the less wonder if the scene of his meditations began to draw him bodily.</td>
<td align="right" valign="top"><span><a name="35"><em>  35</em></a></span></td>
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<td>  </td>
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<td>  It is well known what pretext he took. Sir William Johnson had a diplomatic errand in these parts; and my lord and I (from curiosity, as was given out) went in his company. Sir William was well attended and liberally supplied. Hunters brought us venison, fish was taken for us daily in the streams, and brandy ran like water. We proceeded by day and encamped by night in the military style; sentinels were set and changed; every man had his named duty; and Sir William was the spring of all. There was much in this that might at times have entertained me; but for our misfortune, the weather was extremely harsh, the days were in the beginning open, but the nights frosty from the first. A painful keen wind blew most of the time, so that we sat in the boat with blue fingers, and at night, as we scorched our faces at the fire, the clothes upon our back appeared to be of paper. A dreadful solitude surrounded our steps; the land was quite dispeopled, there was no smoke of fires, and save for a single boat of merchants on the second day, we met no travellers. The season was indeed late, but this desertion of the waterways impressed Sir William himself; and I have heard him more than once express a sense of intimidation. “I have come too late, I fear; they must have dug up the hatchet;” he said; and the future proved how justly he had reasoned.</td>
<td align="right" valign="top"><span><a name="36"><em>  36</em></a></span></td>
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<td>  I could never depict the blackness of my soul upon this journey. I have none of those minds that are in love with the unusual: to see the winter coming and to lie in the field so far from any house, oppressed me like a nightmare; it seemed, indeed, a kind of awful braving of God’s power; and this thought, which I daresay only writes me down a coward, was greatly exaggerated by my private knowledge of the errand we were come upon. I was besides encumbered by my duties to Sir William, whom it fell upon me to entertain; for my lord was quite sunk into a state bordering on <em>pervigilium,</em> watching the woods with a rapt eye, sleeping scarce at all, and speaking sometimes not twenty words in a whole day. That which he said was still coherent; but it turned almost invariably upon the party for whom he kept his crazy lookout. He would tell Sir William often, and always as if it were a new communication, that he had “a brother somewhere in the woods,” and beg that the sentinels should be directed “to inquire for him.” “I am anxious for news of my brother,” he would say. And sometimes, when we were under way, he would fancy he spied a canoe far off upon the water or a camp on the shore, and exhibit painful agitation. It was impossible but Sir William should be struck with these singularities; and at last he led me aside, and hinted his uneasiness. I touched my head and shook it; quite rejoiced to prepare a little testimony against possible disclosures.</td>
<td align="right" valign="top"><span><a name="37"><em>  37</em></a></span></td>
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<td>  “But in that case,” cries Sir William, “is it wise to let him go at large?”</td>
<td align="right" valign="top"><span><a name="38"><em>  38</em></a></span></td>
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<td>  “Those that know him best,” said I, “are persuaded that he should be humoured.”</td>
<td align="right" valign="top"><span><a name="39"><em>  39</em></a></span></td>
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<td>  “Well, well,” replied Sir William, “it is none of my affairs. But if I had understood, you would never have been here.”</td>
<td align="right" valign="top"><span><a name="40"><em>  40</em></a></span></td>
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<td>  Our advance into this savage country had thus uneventfully proceeded for about a week, when we encamped for a night at a place where the river ran among considerable mountains clothed in wood. The fires were lighted on a level space at the water’s edge; and we supped and lay down to sleep in the customary fashion. It chanced the night fell murderously cold; the stringency of the frost seized and bit me through my coverings so that pain kept me wakeful; and I was afoot again before the peep of day, crouching by the fires or trotting to and for at the stream’s edge, to combat the aching of my limbs. At last dawn began to break upon hoar woods and mountains, the sleepers rolled in their robes, and the boisterous river dashing among spears of ice. I stood looking about me, swaddled in my stiff coat of a bull’s fur, and the breath smoking from my scorched nostrils, when, upon a sudden, a singular, eager cry rang from the borders of the wood. The sentries answered it, the sleepers sprang to their feet; one pointed, the rest followed his direction with their eyes, and there, upon the edge of the forest and betwixt two trees, we beheld the figure of a man reaching forth his hands like one in ecstasy. The next moment he ran forward, fell on his knees at the side of the camp, and burst in tears.</td>
<td align="right" valign="top"><span><a name="41"><em>  41</em></a></span></td>
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<td>  This was John Mountain, the trader, escaped from the most horrid perils; and his fist word, when he got speech, was to ask if we had seen Secundra Dass.</td>
<td align="right" valign="top"><span><a name="42"><em>  42</em></a></span></td>
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<td>  “Seen what?” cries Sir William.</td>
<td align="right" valign="top"><span><a name="43"><em>  43</em></a></span></td>
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<td>  “No,” said I, “we have seen nothing of him. Why?”</td>
<td align="right" valign="top"><span><a name="44"><em>  44</em></a></span></td>
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<td>  “Nothing?” says Mountain. “Then I was right after all.” With that he struck his palm upon his brow. “But what takes him back?” he cried. “What takes the man back among dead bodies. There is some damned mystery here.”</td>
<td align="right" valign="top"><span><a name="45"><em>  45</em></a></span></td>
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<td>  This was a word which highly aroused our curiosity, but I shall be more perspicacious, if I narrate these incidents in their true order. Here follows a narrative which I have compiled out of three sources, not very consistent in all points:</p>
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<td>        </td>
<td>F<span>IRST,</span> a written statement by Mountain, in which everything criminal is cleverly smuggled out of view;</td>
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<td> </td>
<td>S<span>ECOND,</span> two conversations with Secundra Dass; and</td>
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<td> </td>
<td>T<span>HIRD,</span> many conversations with Mountain himself, in which he was pleased to be entirely plain; for the truth is he regarded me as an accomplice.</td>
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</table>
</td>
<td align="right" valign="top"><span><a name="46"><em>  46</em></a></span></td>
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<td>  </p>
<div>N<span>ARRATIVE OF THE</span> T<span>RADER,</span> M<span>OUNTAIN.</span></div>
<p>The crew that went up the river under the joint command of Captain Harris and the Master numbered in all nine persons, of whom (if I except Secundra Dass) there was not one that had not merited the gallows. From Harris downward the voyagers were notorious in that colony for desperate, bloody-minded miscreants; some were reputed pirates, the most hawkers of rum; all ranters and drinkers; all fit associates, embarking together without remorse, upon this treacherous and murderous design. I could not hear there was much discipline or any set captain in the gang; but Harris and four others, Mountain himself, two Scotchmen—Pinkerton and Hastie—and a man of the name of Hicks, a drunken shoemaker, put their heads together and agreed upon the course. In a material sense, they were well enough provided; and the Master in particular brought with him a tent where he might enjoy some privacy and shelter.</td>
<td align="right" valign="top"><span><a name="47"><em>  47</em></a></span></td>
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<td>  Even this small indulgence told against him in the minds of his companions. But indeed he was in a position so entirely false (and even ridiculous) that all his habit of command and arts of pleasing were here thrown away. In the eyes of all, except Secundra Dass, he figured as a common gull and designated victim; going unconsciously to death; yet he could not but suppose himself the contriver and the leader of the expedition; he could scarce help but so conduct himself and at the least hint of authority or condescension, his deceivers would be laughing in their sleeves. I was so used to see and to conceive him in a high, authoritative attitude, that when I had conceived his position on this journey, I was pained and could have blushed. How soon he may have entertained a first surmise, we cannot know; but it was long, and the party had advanced into the Wilderness beyond the reach of any help, ere he was fully awakened to the truth.</td>
<td align="right" valign="top"><span><a name="48"><em>  48</em></a></span></td>
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<td>  It fell thus. Harris and some others had drawn apart into the woods for consultation, when they were startled by a rustling in the brush. They were all accustomed to the arts of Indian warfare, and Mountain had not only lived and hunted, but fought and earned some reputation, with the savages. He could move in the woods without noise, and follow a trail like a hound; and upon the emergence of this alert, he was deputed by the rest to plunge into the thicket for intelligence. He was soon convinced there was a man in his close neighbourhood, moving with precaution but without art among the leaves and branches; and coming shortly to a place of advantage, he was able to observe Secundra Dass crawling briskly off with many backward glances. At this he knew not whether to laugh or cry; and his accomplices, when he had returned and reported, were in much the same dubiety. There was now no danger of an Indian onslaught; but on the other hand, since Secundra Dass was at the pains to spy upon them, it was highly probable he knew English, and if he knew English it was certain the whole of their design was in the Master’s knowledge. There was one singularity in the position. If Secundra Dass knew and concealed his knowledge of English, Harris was a proficient in several of the tongues of India, and as his career in that part of the world had been a great deal worse than profligate, he had not thought proper to remark upon the circumstance. Each side had thus a spy-hole on the counsels of the other. The plotters, so soon as this advantage was explained, returned to camp; Harris, hearing the Hindustani was once more closeted with his master, crept to the side of the tent; and the rest, sitting about the fire with their tobacco, awaited his report with impatience. When he came at last, his face was very black. He had overheard enough to confirm the worst of his suspicions. Secundra Dass was a good English scholar; he had been some days creeping and listening, the Master was now fully informed of the conspiracy, and the pair proposed on the morrow to fall out of line at a carrying place and plunge at a venture in the woods: preferring the full risk of famine, savage beasts, and savage men to their position in the midst of traitors.</td>
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		<title>Torrey Pines State Park, Afternoon Ocean</title>
		<link>http://www.brash.us/site/archives/148</link>
		<comments>http://www.brash.us/site/archives/148#comments</comments>
		<pubDate>Mon, 07 Jun 2010 19:54:06 +0000</pubDate>
		<dc:creator>Corvis777</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.brash.us/site/?p=148</guid>
		<description><![CDATA[Charles Robert Darwin (1809–1882).  The Voyage of the Beagle. The Harvard Classics.  1909–14.   Chapter XIII     Chiloe—General Aspect—Boat Excursion—Native Indians—Castro—Tame Fox—Ascend San Pedro—Chonos Archipelago—Peninsula of Tres Montes—Granitic Range—Boat-wrecked Sailors—Low’s Harbour—Wild Potato—Formation of Peat—Myopotamus, Otter and Mice—Cheucau and Barking-bird—Opetiorhynchus—Singular Character of Ornithology—Petrels     NOVEMBER 10th.—The Beagle sailed from Valparaiso to the south, for the purpose of ...]]></description>
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<td align="center">Charles Robert Darwin <span>(1809–1882).</span>  The Voyage of the Beagle.<br />
The Harvard Classics.  <span>1909–14.</span></td>
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<td align="center"><span style="color: #9c9c63; font-size: xx-small;"><strong>Chapter XIII</strong></span></td>
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<td> </td>
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<td>Chiloe—General Aspect—Boat Excursion—Native Indians—Castro—Tame Fox—Ascend San Pedro—Chonos Archipelago—Peninsula of Tres Montes—Granitic Range—Boat-wrecked Sailors—Low’s Harbour—Wild Potato—Formation of Peat—Myopotamus, Otter and Mice—Cheucau and Barking-bird—Opetiorhynchus—Singular Character of Ornithology—Petrels</td>
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<td> </td>
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<p><!-- END CHAPTERTITLE --></tbody>
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<td><em>N<span>OVEMBER</span> 10th.</em>—The Beagle sailed from Valparaiso to the south, for the purpose of surveying the southern part of Chile, the island of Chiloe, and the broken land called the Chonos Archipelago, as far south as the Peninsula of Tres Montes. On the 21st we anchored in the bay of S. Carlos, the capital of Chiloe.</td>
<td align="right" valign="top"><span><a name="1"><em>  1</em></a></span></td>
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<td>  This island is about ninety miles long, with a breadth of rather less than thirty. The land is hilly, but not mountainous, and is covered by one great forest, except where a few green patches have been cleared round the thatched cottages. From a distance the view somewhat resembles that of Tierra del Fuego; but the woods, when seen nearer, are incomparably more beautiful. Many kinds of fine evergreen trees, and plants with a tropical character, here take the place of the gloomy beech of the southern shores. In winter the climate is detestable, and in summer it is only a little better. I should think there are few parts of the world, within the temperate regions, where so much rain falls. The winds are very boisterous, and the sky almost always clouded: to have a week of fine weather is something wonderful. It is even difficult to get a single glimpse of the Cordillera: during our first visit, once only the volcano of Osorno stood out in bold relief, and that was before sunrise; it was curious to watch, as the sun rose, the outline gradually fading away in the glare of the eastern sky.</td>
<td align="right" valign="top"><span><a name="2"><em>  2</em></a></span></td>
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<td>  The inhabitants, from their complexion and low stature, appear to have three-fourths of Indian blood in their veins. They are an humble, quiet, industrious set of men. Although the fertile soil, resulting from the decomposition of the volcanic rocks, supports a rank vegetation, yet the climate is not favourable to any production which requires much sunshine to ripen it. There is very little pasture for the larger quadrupeds; and in consequence, the staple articles of food are pigs, potatoes, and fish. The people all dress in strong woollen garments, which each family makes for itself, and dyes with indigo of a dark blue colour. The arts, however, are in the rudest state;—as may be seen in their strange fashion of ploughing, their method of spinning, grinding corn, and in the construction of their boats. The forests are so impenetrable, that the land is nowhere cultivated except near the coast and on the adjoining islets. Even where paths exist, they are scarcely passable from the soft and swampy state of the soil. The inhabitants, like those of Tierra del Fuego, move about chiefly on the beach or in boats. Although with plenty to eat, the people are very poor: there is no demand for labour, and consequently the lower orders cannot scrape together money sufficient to purchase even the smallest luxuries. There is also a great deficiency of a circulating medium. I have seen a man bringing on his back a bag of charcoal, with which to buy some trifle, and another carrying a plank to exchange for a bottle of wine. Hence every tradesman must also be a merchant, and again sell the goods which he takes in exchange.</td>
<td align="right" valign="top"><span><a name="3"><em>  3</em></a></span></td>
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<td>  <em>November 24th.</em>—The yawl and whale-boat were sent under the command of Mr. (now Captain) Sulivan, to survey the eastern of inland coast of Chiloe; and with orders to meet the Beagle at the southern extremity of the island; to which point she would proceed by the outside, so as thus to circumnavigate the whole. I accompanied this expedition, but instead of going in the boats the first day, I hired horses to take me to Chacao, at the northern extremity of the island. The road followed the coast; every now and then crossing promontories covered by fine forests. In these shaded paths it is absolutely necessary that the whole road should be made of logs of wood, which are squared and placed by the side of each other. From the rays of the sun never penetrating the evergreen foliage, the ground is so damp and soft, that except by this means neither man nor horse would be able to pass along. I arrived at the village of Chacao shortly after the tents belonging to the boats were pitched for the night.</td>
<td align="right" valign="top"><span><a name="4"><em>  4</em></a></span></td>
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<td>  The land in this neighbourhood has been extensively cleared, and there were many quiet and most picturesque nooks in the forest. Chacao was formerly the principal port in the island; but many vessels having been lost, owing to the dangerous currents and rocks in the straits, the Spanish government burnt the church, and thus arbitrarily compelled the greater number of inhabitants to migrate to S. Carlos. We had not long bivouacked, before the barefooted son of the governor came down to reconnoitre us. Seeing the English flag hoisted at the yawl’s mast-head, he asked with the utmost indifference, whether it was always to fly at Chacao. In several places the inhabitants were much astonished at the appearance of men-of-war’s boats, and hoped and believed it was the forerunner of a Spanish fleet, coming to recover the island from the patriot government of Chile. All the men in power, however, had been informed of our intended visit, and were exceedingly civil. While we were eating our supper, the governor paid us a visit. He had been a lieutenant-colonel in the Spanish service, but now was miserably poor. He gave us two sheep, and accepted in return two cotton handkerchiefs, some brass trinkets, and a little tobacco.</td>
<td align="right" valign="top"><span><a name="5"><em>  5</em></a></span></td>
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<td>  <em>25th.</em>—Torrents of rain: we managed, however, to run down the coast as far as Huapi-lenou. The whole of this eastern side of Chiloe has one aspect; it is a plain, broken by valleys and divided into little islands, and the whole thickly covered with one impervious blackish-green forest. On the margins there are some cleared spaces, surrounding the high-roofed cottages.</td>
<td align="right" valign="top"><span><a name="6"><em>  6</em></a></span></td>
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<td>  <em>26th.</em>—The day rose splendidly clear. The volcano of Orsono was spouting out volumes of smoke. This most beautiful mountain, formed like a perfect cone, and white with snow, stands out in front of the Cordillera. Another great volcano, with a saddle-shaped summit, also emitted from its immense crater little jets of steam. Subsequently we saw the lofty-peaked Corcovado well deserving the name of “el famoso Corcovado.” Thus we beheld, from one point of view, three great active volcanoes, each about seven thousand feet high. In addition to this, far to the south, there were other lofty cones covered with snow, which, although not known to be active, must be in their origin volcanic. The line of the Andes is not, in this neighbourhood, nearly so elevated as in Chile; neither does it appear to form so perfect a barrier between the regions of the earth. This great range, although running in a straight north and south line, owing to an optical deception, always appeared more or less curved; for the lines drawn from each peak to the beholder’s eye, necessarily converged like the radii of a semicircle, and as it was not possible (owing to the clearness of the atmosphere and the absence of all intermediate objects) to judge how far distant the farthest peaks were off, they appeared to stand in a flattish semicircle.</td>
<td align="right" valign="top"><span><a name="7"><em>  7</em></a></span></td>
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<td>  Landing at midday, we saw a family of pure Indian extraction. The father was singularly like York Minster; and some of the younger boys, with their ruddy complexions, might have been mistaken for Pampas Indians. Everything I have seen, convinces me of the close connexion of the different American tribes, who nevertheless speak distinct languages. This party could muster but little Spanish, and talked to each other in their own tongue. It is a pleasant thing to see the aborigines advanced to the same degree of civilization, however low that may be, which their white conquerors have attained. More to the south we saw many pure Indians: indeed, all the inhabitants of some of the islets retain their Indian surnames. In the census of 1832, there were in Chiloe and its dependencies forty-two thousand souls; the greater number of these appear to be of mixed blood. Eleven thousand retain their Indian surnames, but it is probable that not nearly all of these are of a pure breed. Their manner of life is the same with that of the other poor inhabitants, and they are all Christians; but it is said that they yet retain some strange superstitious ceremonies, and that they pretend to hold communication with the devil in certain caves. Formerly, every one convicted of this offence was sent to the Inquisition at Lima. Many of the inhabitants who are not included in the eleven thousand with Indian surnames, cannot be distinguished by their appearance from Indians. Gomez, the governor of Lemuy, is descended from noblemen of Spain on both sides; but by constant intermarriages with the natives the present man is an Indian. On the other hand, the governor of Quinchao boasts much of his purely kept Spanish blood.</td>
<td align="right" valign="top"><span><a name="8"><em>  8</em></a></span></td>
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<td>  We reached at night a beautiful little cove, north of the island of Caucahue. The people here complained of want of land. This is partly owing to their own negligence in not clearing the woods, and partly to restrictions by the government, which makes it necessary, before buying ever so small a piece, to pay two shillings to the surveyor for measuring each quadra (150 yards square), together with whatever price he fixes for the value of the land. After his valuation, the land must be put up three times to auction, and if no one bids more, the purchaser can have it at that rate. All these exactions must be a serious check to clearing the ground, where the inhabitants are so extremely poor. In most countries, forests are removed without much difficulty by the aid of fire; but in Chiloe, from the damp nature of the climate, and the sort of trees, it is necessary first to cut them down. This is a heavy drawback to the prosperity of Chiloe. In the time of the Spaniards the Indians could not hold land; and a family, after having cleared a piece of ground, might be driven away, and the property seized by the government. The Chilian authorities are now performing an act of justice by making retribution to these poor Indians, giving to each man, according to his grade of life, a certain portion of land. The value of uncleared ground is very little. The government gave Mr. Douglas (the present surveyor, who informed me of these circumstances) eight and a half square miles of forest near S. Carlos, in lieu of a debt; and this he sold for 350 dollars, or about 70<em>l.</em> sterling.</td>
<td align="right" valign="top"><span><a name="9"><em>  9</em></a></span></td>
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<td>  The two succeeding days were fine, and at night we reached the island of Quinchao. This neighbourhood is the most cultivated part of the Archipelago; for a broad strip of land on the coast of the main island, as well as on many of the smaller adjoining ones, is almost completely cleared. Some of the farmhouses seemed very comfortable. I was curious to ascertain how rich any of these people might be, but Mr. Douglas says that no one can be considered as possessing a regular income. One of the richest land-owners might possibly accumulate, in a long industrious life, as much as 1000l. sterling; but should this happen, it would all be stowed away in some secret corner, for it is the custom of almost every family to have a jar or treasure-chest buried in the ground.</td>
<td align="right" valign="top"><span><a name="10"><em>  10</em></a></span></td>
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<td>  <em>November 30th.</em>—Early on Sunday morning we reached Castro, the ancient capital of Chiloe, but now a most forlorn and deserted place. The usual quadrangular arrangement of Spanish towns could be traced, but the streets and plaza were coated with fine green turf, on which sheep were browsing. The church, which stands in the middle, is entirely built of plank, and has a picturesque and venerable appearance. The poverty of the place may be conceived from the fact, that although containing some hundreds of inhabitants, one of our party was unable anywhere to purchase either a pound of sugar or an ordinary knife. No individual possessed either a watch or a clock and an old man, who was supposed to have a good idea of time, was employed to strike the church bell by guess. The arrival of our boats was a rare event in this quiet retired corner of the world; and nearly all the inhabitants came down to the beach to see us pitch our tents. They were very civil, and offered us a house; and one man event sent us a cask of cider as a present. In the afternoon we paid our respects to the governor—a quiet old man, who, in his appearance and manner of life, was scarcely superior to an English cottager. At night heavy rain set in, which was hardly sufficient to drive away from our tents the large circle of lookers-on. An Indian family, who had come to trade in a canoe from Caylen, bivouacked near us. They had no shelter during the rain. In the morning I asked a young Indian, who was wet to the skin, now he had passed the night. He seemed perfectly content, and answered, “Muy bien, señor.”</td>
<td align="right" valign="top"><span><a name="11"><em>  11</em></a></span></td>
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<td>  <em>December 1st.</em>—We steered for the island of Lemuy. I was anxious to examine a reported coal-mine which turned out to be lignite of little value, in the sandstone (probably of an ancient tertiary epoch) of which these islands are composed. When we reached Lemuy we had much difficulty in finding any place to pitch our tents, for it was spring-tide, and the land was wooded down to the water’s edge. In a short time we were surrounded by a large group of the nearly pure Indian inhabitants. They were much surprised at our arrival, and said one to the other, “This is the reason we have seen so many parrots lately; the cheucau (an odd red-breasted little bird, which inhabits the thick forest, and utters very peculiar noises) has not cried ‘beware’ for nothing.” They were soon anxious for barter. Money was scarcely worth anything, but their eagerness for tobacco was something quite extraordinary. After tobacco, indigo came next in value; then capsicum, old clothes, and gunpowder. The latter article was required for a very innocent purpose: each parish has a public market, and the gunpowder was wanted for making a noise on their saint or feast days.</td>
<td align="right" valign="top"><span><a name="12"><em>  12</em></a></span></td>
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<td>  The people here live chiefly on shell-fish and potatoes. At certain seasons they catch also, in “corrales,” or hedges under water, many fish which are left on the mud-banks as the tide falls. They occasionally possess fowls, sheep, goats, pigs, horses, and cattle; the order in which they are here mentioned, expressing their respective numbers. I never saw anything more obliging and humble than the manners of these people. They generally began with stating that they were poor natives of the place, and not Spaniards, and that they were in sad want of tobacco and other comforts. At Caylen, the most southern island, the sailors bought with a stick of tobacco, of the value of three-halfpence, two fowls, one of which, the Indian stated, had skin between its toes, and turned out to be a fine duck; and with some cotton handkerchiefs, worth three shillings, three sheep and a large bunch of onions were procured. They yawl at this place was anchored some way from the shore, and we had fears for her safety from robbers during the night. Our pilot, Mr. Douglas, accordingly told the constable of the district that we always placed sentinels with loaded arms, and not understanding Spanish, if we saw any person in the dark, we should assuredly shoot him. The constable, with much humility, agreed to the perfect propriety of this arrangement, and promised us that no one should stir out of his house during that night.</td>
<td align="right" valign="top"><span><a name="13"><em>  13</em></a></span></td>
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<td>  During the four succeeding days we continued sailing southward. The general features of the country remained the same, but it was much less thickly inhabited. On the large island of Tanqui there was scarcely one cleared spot, the trees on every side extending their branches over the sea-beach. I one day noticed, growing on the sandstone cliffs, some very fine plants of the panke (Gunnera scabra), which somewhat resembles the rhubarb on a gigantic scale. The inhabitants eat the stalks, which are subacid, and tan leather with the roots, and prepare a black dye from them. The leaf is nearly circular, but deeply indented on its margin. I measured one which was nearly eight feet in diameter, and therefore no less than twenty-four in circumference! The stalk is rather more than a yard high, and each plant sends out four or five of these enormous leaves, presenting together a very noble appearance.</td>
<td align="right" valign="top"><span><a name="14"><em>  14</em></a></span></td>
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<td>  <em>December 6th.</em>—We reached Caylen, called “el fin del Cristiandad.” In the morning we stopped for a few minutes at a house on the northern end of Laylec, which was the extreme point of South American Christendom, and a miserable hovel it was. The latitude is 43° 10&#8242;, which is two degrees farther south than the Rio Negro on the Atlantic coast. These extreme Christians were very poor, and, under the plea of their situation, begged for some tobacco. As a proof of the poverty of these Indians, I may mention that shortly before this, we had met a man, who had travelled three days and a half on foot, and had as many to return, for the sake of recovering the value of a small axe and a few fish. How very difficult it must be to buy the smallest article, when such trouble is taken to recover so small a debt.</td>
<td align="right" valign="top"><span><a name="15"><em>  15</em></a></span></td>
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<td>  In the evening we reached the island of San Pedro, where we found the Beagle at anchor. In doubling the point, two of the officers landed to take a round of angels with the theodolite. A fox (Canis fulvipes), of a kind said to be peculiar to the island, and very rare in it, and which is a new species, was sitting on the rocks. He was so intently absorbed in watching the work of the officers, that I was able, by quietly walking up behind, to knock him on the head with my geological hammer. This fox, more curious or more scientific, but less wise, than the generality of his brethren, is now mounted in the museum of the Zoological Society.</td>
<td align="right" valign="top"><span><a name="16"><em>  16</em></a></span></td>
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<td>  We stayed three days in this harbour, on one of which Captain Fitz Roy, with a party, attempted to ascend to the summit of San Pedro. The woods here had rather a different appearance from those on the northern part of the island. The rock, also, being micaceous slate, there was no beach, but the steep sides dipped directly beneath the water. The general aspect in consequence was more like that of Tierra del Fuego than of Chiloe. In vain we tried to gain the summit: the forest was so impenetrable, that no one who has not beheld it can imagine so entangled a mass of dying and dead trunks. I am sure that often, for more than ten minutes together, our feet never touched the ground, and we were frequently ten or fifteen feet above it, so that the seamen as a joke called out the soundings. At other times we crept one after another on our hands and knees, under the rotten trunks. In the lower part of the mountain, noble trees of the Winter’s Bark, and a laurel like the sassafras with fragrant leaves, and others, the names of which I do not know, were matted together by a trailing bamboo or cane. Here we were more like fishes struggling in a net than any other animal. On the higher parts, brushwood takes the place of larger trees, with here and there a red cedar or an alerce pine. I was also pleased to see, at an elevation of a little less than 1000 feet, our old friend the southern beech. They were, however, poor stunted trees; and I should think that this must be nearly their northern limit. We ultimately gave up the attempt in despair.</td>
<td align="right" valign="top"><span><a name="17"><em>  17</em></a></span></td>
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<td>  <em>December 10th.</em>—The yawl and whale-boat, with Mr. Sulivan, proceeded on their survey, but I remained on board the Beagle, which the next day left San Pedro for the southward. On the 13th we ran into an opening in the southern part of Guayatecas, or the Chonos Archipelago; and it was fortunate we did so, for on the following day a storm, worthy of Tierra del Fuego, raged with great fury. White massive clouds were piled up against a dark blue sky, and across them black ragged sheets of vapour were rapidly driven. The successive mountain ranges appeared like dim shadows; and the setting sun cast on the woodland a yellow gleam, much like that produced by the flame of spirits of wine. The water was white with the flying spray, and the wind lulled and roared again through the rigging: it was an ominous, sublime scene. During a few minutes there was a bright rainbow, and it was curious to observe the effect of the spray, which being carried along the surface of the water, changed the ordinary semicircle into a circle—a band of prismatic colours being continued, from both feet of the common arch across the bay, close to the vessel’s side: thus forming a distorted, but very nearly entire ring.</td>
<td align="right" valign="top"><span><a name="18"><em>  18</em></a></span></td>
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<td>  We stayed here three days. The weather continued bad: but this did not much signify, for the surface of the land in all these islands is all but impassable. The coast is so very rugged that to attempt to walk in that direction requires continued scrambling up and down over the sharp rocks of mica-slate; and as for the woods, our faces, hands, and shin-bones all bore witness to the maltreatment we received, in merely attempting to penetrate their forbidden recesses.</td>
<td align="right" valign="top"><span><a name="19"><em>  19</em></a></span></td>
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<td>  <em>December 18th.</em>—We stood out to sea. On the 20th we bade farewell to the south, and with a fair wind turned the ship’s head northward. From Cape Tres Montes we sailed pleasantly along the lofty weather-beaten coast, which is remarkable for the bold outline of its hills, and the thick covering of forest even on the almost precipitous flanks. The next day a harbour was discovered, which on this dangerous coast might be of great service to a distressed vessel. It can easily be recognized by a hill 1600 feet high, which is even more perfectly conical than the famous sugar-loaf of Rio de Janeiro. The next day, after anchoring, I succeeded in reaching the summit of this hill. It was a laborious undertaking, for the sides were so steep that in some parts it was necessary to use the trees as ladders. There were also several extensive brakes of the Fuchsia, covered with its beautiful drooping flowers, but very difficult to crawl through. In these wild countries it gives much delight to gain the summit of any mountain. There is an indefinite expectation of seeing something very strange, which, however often it may be balked, never failed with me to recur on each successive attempt. Every one must know the feeling of triumph and pride which a grand view from a height communicates to the mind. In these little frequented countries there is also joined to it some vanity, that you perhaps are the first man who ever stood on this pinnacle or admired this view.</td>
<td align="right" valign="top"><span><a name="20"><em>  20</em></a></span></td>
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<td>  A strong desire is always felt to ascertain whether any human being has previously visited an unfrequented spot. A bit of wood with a nail in it, is picked up and studied as if it were covered with hieroglyphics. Possessed with this feeling, I was much interested by finding, on a wild part of the coast, a bed made of grass beneath a ledge of rock. Close by it there had been a fire, and the man had used an axe. The fire, bed, and situation showed the dexterity of an Indian; but he could scarcely have been an Indian, for the race is in this part extinct, owing to the Catholic desire of making at one blow Christians and Slaves. I had at the time some misgivings that the solitary man who had made his bed on this wild spot, must have been some poor shipwrecked sailor, who, in trying to travel up the coast, had here laid himself down for his dreary night.</td>
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